Sunday, October 2, 2011

Interview with Philippa Ballantine (Interviewed by Mihir Wanchoo)

Philippa J. Ballantine is an author I almost missed out on. She has released a number of books in the past five years, but I didn’t really notice her until last year’s publication of Geist. After this year’s release of Spectyr, the second Chronicles of the Order novel after Geist, my curiousity got the better of me and I read Geist and Spectyr back-to-back. Thrilled by how exciting the books were and intrigued by the world and magic system found within, I immediately contacted Ms. Ballantine to find out more about herself, the Chronicles of the Order and her other novels...

Q: Welcome to Fantasy Book Critic. For someone who hasn’t read any of your novels, how would you describe your writing style and what book would you recommend giving a try first?

Philippa: All the stories I write are character driven. I love creating people that readers can sympathize with—even if they aren’t perfect. I read to get inside other people’s heads. I don’t do a huge amount of description of the world, instead I like to use sensory words to describe scenes rather than spend pages describing every nook and cranny. I like to leave enough for the reader’s imagination to flourish. I’m not a big fan of books that spend a great deal of time dwelling on every minute detail of the scene. That is time I could spend delving into a characters motivations, thoughts and feelings.

As for recommendations…

If you want something fun and adventurous, then I recommend the steampunk novel Phoenix Rising I wrote with Tee Morris. If you’re after something a little more fantasy-based then go for Geist, the first Book of the Order.

Q: Geist was actually my introduction to your writing. How would you describe Geist and what can readers expect from the Chronicles of the Order series?

Philippa: Geist and the Books of the Order are set in the world of Arkaym, where the supernatural is an accepted every day fact. At any moment a geist can leak through into the world and take over your family member, and the only people to protect you are the Deacons of the Order. In Geist we meet two Deacons; Sorcha Faris, a seasoned veteran of fighting geists, and Merrick Chambers, very new at the game. They are thrown together when they are sent by their superior to investigate a geist attack in a distant town. Naturally, nothing is as it seems and before too long Sorcha and Merrick find themselves embroiled in a conspiracy involving the pretender to the throne, terrible supernatural threats and assassination.

The subsequent books dig deeper into the conspiracy, and readers can expect more revelations, more torment for my characters and many supernatural dangers.

Q: What can you tell us about Spectyr, the second volume in the Chronicles of the Order?

Philippa: Spectyr is the continuing story of Sorcha, but it also examines the role of religion in the world where the supernatural is fact.

Spectyr takes place about three months after Geist, and Sorcha and Merrick have been assigned to work that is essentially directing traffic. However, the otherside is not done with them, and soon the Bond that they developed with Raed is pulling them into a new part of the world to face new threats.

Q: Currently, the Chronicles of the Order is slated to be four volumes long. Will this be long enough to tell the story you want and what was your original plan for the series?

Philippa: For this particular arc of the story of the Order, yes indeed it will cover the overarching threat. However, that being said, I could easily see myself returning to this world again—though perhaps not these characters.

The original plan was for two books, but I hadn’t started writing the second book when Ace came back to me with an offer for another two, so I was able to adjust my view towards the end of book four
accordingly.

Q: In addition to Geist and Spectyr, there are a number of short stories floating around the Internet about the world of the Order:

Bondmate” by Nobilis

What can you tell us about these stories?

Philippa:In the Beginning” is exactly that—a telling of the first day the geists broke through into the world of Arkaym about one thousand years before events in Geist.

The Destruction of Station One tells the story of an event mentioned in passing in Geist and occurs in the month preceding events in the first book.

The rest of the stories examine what it means to be a Deacon, the perils and joys of wielding magic. Honestly, I was surprised with what people came up with, and though they do not contain the main characters of Geist (except as brief mentions) they round out the world of the Order in ways I never imagined. They are all set to occur before the events showcased in the first book.

Q: What sparked the genesis of the Chronicles of the Order?

Philippa: I had several ideas that sparked the original concept for Geist. I wanted to explore a slightly older character than was usual in most fantasy. Sorcha is in her late thirties, and I wanted to look at what all that power would do to a character slightly later in their life.

Then, I got the idea of the supernatural being just accepted as being in the world. None of this Ghost Hunters, questions about ‘what was that?’ In Arkaym, everyone knows—it was a geist! How this would affect people and civilization intrigued me. Finally, I wanted to put in a healthy slice of the buddy cop movie. Sorcha is paired up with what is essentially a rookie partner. All sorts of complications and conflicts arise from that—all fertile ground for an author.

Q: Could you tell us a bit more about the world of the Chronicles of the Order?

Philippa: I think the richness of the world of the Chronicles of the Order comes from the unique breadth of cultures and locations and the way the supernatural has filtered through and occupied portions of it. Arkaym is the empire that most of the books will be set in. It is an empire of feuding princes and states, where only a few generations ago, the old Emperor was cast out. The Assembly of Princes then sent across the water to the kingdom of Delmaire for a spare prince to occupy the throne. (Something similar happened in Europe in the twentieth century). Arkaym has vast deserts, teeming jungles, and many beautiful and dangerous cities.

Add in the creepy swamps haunted by the undead, grey ruins with the whispers of past murders, and geists infesting even the aristocracy of Arkaym and it is a marvelous canvas to paint on.

Q: Out of all the characters in your books, who was the most fascinating to create and write about?

Philippa: The wild and crazy ones are the easiest to write, but I find characters like Merrick in Geist  and Spectyr to be the most intriguing. The quiet ones; I enjoy finding reasons for why they do things, what they are thinking and why they keep so much hidden fascinating. They are like onions, and as I continue in the Books of the Order series, I am peeling back the layers.

Q: In this essay about Sorcha, you mentioned Ellen Ripley, Trinity, Paksenarrion and Morgaine as the inspirations behind Sorcha’s character. Could you highlight one character trait from each of these lovely ladies that is present in Sorcha as well?

Philippa: Sorcha has inherited Ripley’s determination in the face of great adversity. From Trinity, a surprising ability to still love while in the midst of it all. From Paksenarrion an impressive skill in battle, and from Morgaine an inherent darkness.

Q: Actress, noted fantasy fan and The Guild creator Felicia Day is a big fan of the Chronicles of the Order. Personally, I think Felicia could portray a mean Sorcha. What do you think? And how would you like to see your novels adapted?

Philippa: I was so excited that Felicia Day enjoyed my books. I think, after seeing her performance in the unaired episode of Dollhouse, that she could do a great Sorcha. It would be an attitude and personality she hasn’t had much chance to present to the world certainly!

After I saw the Pillars of the Earth miniseries, I can’t shake the idea of Eddie Redmayne as Merrick. As for Raed, it would have to be Sam Trammell from True Blood. He has that rough and ready look, and he can certainly do charming.

I think I would love to see the Books of the Order as a series of movies, while the Ministry of Peculiar Occurrences would be fantastic as a television series.

Q: In 2012, Pyr Books is releasing a new dark fantasy series called The Shifted World. What can you tell us about this series?

Philippa: It is a little darker than the world of either Phoenix Rising or Geist. It’s a story of hard-won redemption in a place full of magic, and strange creatures called the Kindred.

Q: What other projects do you have in the pipeline? Will you continue podcasting as well as writing?

Philippa: I am editing the books due to come out next year, and working on two more novels for Ace and Pyr. Also, I have an idea that Tee and I want to develop into a Young Adult novel in the Ministry universe.

Yes indeed, I will always continue to podcast—in fact I have never really stopped. I am podcasting my erotic speculative fiction short stories and have been since 2009. Currently Tee and I are working on finishing up the short stories from Tales from the Archives. We have also launched a chatty writers podcast called “The Shared Desk” — which is a lot of fun. So I don’t really foresee a time when I am not somehow involved in podcasting. It gets into your blood and before you know it you are addicted.

Q: What is it about podcasting that you find so addictive?

Philippa: I’ve been involved with podcasting since 2005, and from the moment I got my first feedback from podcasting my first novel, I was hooked. I think I love the intimacy of it, and the feedback from the community. Community is big in the podcasting world, and that feeling is one writers don’t often get. As far as my novel podcasting goes, I have recorded the whole novel, often with characters voiced by my fellow podcasters. It gives a whole new dimension to my writing, and I am completely addicted to it. I think it reaches a whole new level of story telling.

Q: In addition to the Chronicles of the Order, you have written about Shakespeare, revenge, mystery and even a steampunk series with your fiancé Tee Morris. Where you get your ideas/inspiration from?

Philippa: It is strange how people don’t see fantasy writers being inspired by the world around them. I am constantly. I love people watching, and snippets of overheard conversation often get me thinking.

I love the natural world; a still lake, a magnificent tree, a beautiful mountain. A mysterious forest, for example, will get me plotting what stories to see there. That goes hand in hand with traveling which is one of my most favorite things to do.

Finally, history. I’ve always been a big history buff, and there are plenty of untapped stories all over our world that help me build my own. I watch documentaries, read books and blogs and it is amazing where I can find inspiration.

Q: You’ve already shown the ability to write in different genres, but what about a different format like television, movie scripts, or videogames?

Philippa: I would love a chance to explore other formats, but I think I would like to do it in collaboration with another artist. I have so much on my novel writing plate right now, that I fear I wouldn’t be able to find the time to learn a whole new skill-set. However I am very much open to working with a graphic artist or a scriptwriter—either based on a work I’ve already done, or something new. Who knows—in this brave new world of digital media there are so many exciting opportunities out there.

Q: What kind of books and authors do you enjoy reading?

Philippa: I am a hard core fantasy and Sci-Fi reader, but I have been known to pick up a sweeping historical novel as well from time to time; like Pillars of the Earth. In genre, I have always enjoyed the works of Elizabeth Moon, CJ Cherryh and David Gemmell. Recently I have been enjoying books like Boneshaker by Cherie Priest and Native Star by MK Hobson. I am also a fan of Nathan Lowell who writes stories set in space and has been podcasting them all.

Q: In closing, are there any final thoughts or comments that you'd like to share with your readers?

Philippa: I hope listeners and readers will join me on the ride ahead. I’ve had three books published since October 2010, and I will have another three published by the end of next year.

I’m also going to be journeying around the world—both physically and virtually, to conventions and blogs quite a lot. If you want to keep track of me visit my official site, follow me on Twitter @PhilippaJane or search for me on Facebook—I have a page there too.

Friday, September 30, 2011

Spotlight on October Books

This month we are featuring 42 books. There are more than twice as many new sff and related releases this month in traditional publishing not to speak of the countless indies from Amazon and Smashwords but we are limiting ourselves to books that will be reviewed here or are similar with such. For the full schedule of October 2011 titles known to us, you can consult the Upcoming Releases page.

The release dates are US unless marked otherwise, though for books released in the UK and US in the same month but on different dates we use the earliest date without comment and they are first edition unless noted differently. The dates are on a best known basis so they are not guaranteed; same about the edition information. Since information sometimes is out of date even in the Amazon links we use for listings, books get delayed or sometimes even released earlier, we would truly appreciate if you would send us an email about any listing with incorrect information.

Sometimes a cover image is not available at the time of the post and also sometimes covers change unexpectedly so while we generally use the Amazon one when available and cross check with Google Images, the ultimate bookstore cover may be different.

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Of Limited Loyalty by Michael A. Stackpole. Release Date: October 2011. Published by Night Shade Books. (AH).
A Web of Air (Fever Crumb) by Philip Reeve. Release Date: October 1, 2011. Published by Scholastic. (YA / US Debut).
Icefall by Matthew J. Kirby. Release Date: October 1, 2011. Published by Scholastic. (MG).
Daughter of Smoke & Bone by Laini Taylor. Release Date: October 1, 2011. Published by Little, Brown Books for Young Readers. (YA).
Changes by Mercedes Lackey. Release Date: October 4, 2011. Published by DAW. (FAN).
Reap the East Wind by Glen Cook. Release Date: October 4, 2011. Published by Night Shade Books. (FAN).

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Infidel by Kameron Hurley. Release Date: October 4, 2011. Published by Night Shade Books. (SF).
Necropolis by Michael Dempsey. Release Date: October 4, 2011. Published by Night Shade Books. (SF).
The Traitor's Daughter by Paula Brandon. Release Date: October 4, 2011. Published by Spectra. (FAN).
Carnelians by Catherine Asaro. Release Date: October 4, 2011. Published by Baen. (SF).
Frail by Joan Frances Turner. Release Date: October 4, 2011. Published by Ace. (HF).
Uncharted: The Fourth Labyrinth by Christopher Golden. Release Date: October 4, 2011. Published by Del Rey. (Tie-In).

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Down These Strange Streets edited by George R.R. Martin & Gardner Dozois. Release Date: October 4, 2011. Published by Ace. (ANTHO).
A Beautiful Friendship by David Weber. Release Date: October 4, 2011. Published by Baen. (YA).
Black Light by Patrick Melton & Marcus Dunstan. Release Date: October 5, 2011. Published by Mulholland Books. (MISC).
Manhattan In Reverse by Peter F. Hamilton. Release Date: October 7, 2011. Published by Pan Macmillan. (SF / Collection).
Heirs of the Blade by Adrian Tchaikovsky. UK Release Date: October 7, 2011. Published by Tor UK. (FAN).
The Children of the Sky by Vernor Vinge. Release Date: October 11, 2011. Published by Tor. (SF).

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The Cold Commands by Richard K. Morgan. Release Date: October 11, 2011. Published by Del Rey. (FAN).
The Dark at the End by F. Paul Wilson. Release Date: October 11, 2011. Published by Tor. (MISC).
Harbor by John Ajvide Lindqvist. Release Date: October 11, 2011. Published by Thomas Dunne. (HF).
Fox & Phoenix by Beth Bernobich. Release Date: October 13, 2011. Published by Viking. (YA).
Ashes of a Black Frost by Chris Evans. Release Date: October 18, 2011. Published by Gallery. (FAN).
Covenant by Dean Crawford. Release Date: October 18, 2011. Published by Touchstone. (MISC).

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Aloha From Hell by Richard Kadrey. Release Date: October 18, 2011. Published by Harper Voyager. (UF).
Damned by Chuck Palahniuk. Release Date: October 18, 2011. Published by Doubleday. (MISC).
The Bone Key: The Necromantic Mysteries of Kyle Murchison Booth by Sarah Monette. Release Date: October 18, 2011. Published by Prime Books. (Reprint).
The Scorpio Races by Maggie Stiefvater. Release Date: October 18, 2011. Published by Scholastic. (YA).
The Infernals by John Connolly. Release Date: October 18, 2011. Published by Atria. (YA / US Debut).
The Iron Jackal by Chris Wooding. UK Release Date: October 20, 2011. Published by Gollancz. (SF).

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The Warlock's Shadow by Stephen Deas. UK Release Date: October 20, 2011. Published by Gollancz. (YA).
1Q84 by Haruki Murakami. Release Date: October 25, 2011. Published by Knopf. (MISC / US Debut).
Solaris Rising: The New Solaris Book of Science Fiction edited by Ian Whates. Release Date: October 25, 2011. Published by Solaris. (SF / ANTHO).
Master of the House of Darts by Aliette de Bodard. Release Date: October 25, 2011. Published by Angry Robot. (FAN).
Kultus by Richard Ford. Release Date: October 25, 2011. Published by Solaris. (Steampunk).
The Night Eternal by Guillermo Del Toro & Chuck Hogan. Release Date: October 25, 2011. Published by William Morrow. (HF).

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Dead of Night by Jonathan Maberry. Release Date: October 25, 2011. Published by St. Martin’s Griffin. (HF).
Flesh & Bloodby Kristen Painter. Release Date: October 25, 2011. Published by Orbit. (UF).
Whispers Under Ground by Ben Aaronovitch. Release Date: October 25, 2011. Published by Del Rey. (UF).
The Kingdom of Gods by N.K. Jemison. Release Date: October 27, 2011. Published by Orbit. (FAN).
Hell & Gone by Duane Swierczynski. Release Date: October 31, 2011. Published by Mulholland Books. (MISC).
The Curse of Fourby Caitlin Kittredge. Release Date: October 31, 2011. Published by Subterranean Press. (Novella).


GIVEAWAY: Win a SIGNED COPY of Lev AC Rosen’s “All Men of Genius”!!!

Order “All Men of GeniusHERE
Read Excerpts HERE + HERE
Read FBC's Review of “All Men of Genius
Read Lev AC Rosen’s Guest Post HERE

Inspired by Shakespeare’s Twelfth Night and Oscar Wilde’s The Importance of Being Earnest, two of the most beloved works by literary masters, All Men of Genius takes place in an alternate Steampunk Victorian London, where science makes the impossible possible.

Violet Adams wants to attend Illyria College, a widely renowned school for the most brilliant up-and-coming scientific minds, founded by the late Duke Illyria, the greatest scientist of the Victorian Age. The school is run by his son, Ernest, who has held to his father’s policy that the small, exclusive college remain male-only. Violet sees her opportunity when her father departs for America. She disguises herself as her twin brother, Ashton, and gains entry.

But keeping the secret of her sex won’t be easy, not with her friend Jack’s constant habit of pulling pranks, and especially not when the duke’s young ward, Cecily, starts to develop feelings for Violet’s alter ego, “Ashton.” Not to mention blackmail, mysterious killer automata, and the way Violet’s pulse quickens whenever the young duke, Ernest (who has a secret past of his own), speaks to her. She soon realizes that it’s not just keeping her secret until the end of the year faire she has to worry about: it’s surviving that long...

In support of the September 27, 2011 North American publication of Lev AC Rosen’s debut novel, “All Men of Genius”, Fantasy Book Critic is giving away ONE SIGNED COPY of “All Men of Genius” courtesy of Tor!!!

Giveaway has ended. Thank you for entering and Good Luck!

GIVEAWAY RULES:

1) Open to US Residents Only
2) Only One Entry Per Household (Multiple Entries Will Be Disqualified)
3) Must Enter Valid Email Address, Mailing Address + Name
4) No Purchase Necessary
5) Giveaway Has Ended
6) Winners Will Be Randomly Selected and Notified By Email
7) Personal Information Will Only Be Used In Mailing Out the Prizes To the Winners

Winners of the Night Shade Books Giveaway!!!

Congratulations to Doug Sturtevant (Arizona) and Jeff Raymond (Massachusetts) who were both randomly selected to win a SET of The Winds of Khalakovo by Bradley P. Beaulieu, Courtney Schafer’s The Whitefire Crossing, Stina Leicht’s Of Blood & Honey, and Miserere: An Autumn Tale by Teresa Frohock, with each book SIGNED by its respective author!!! Each winner will also receive some other goodies including bookmarks and T-Shirts courtesy of Night Shade Books! For more information about these books and authors, please visit the following links:

Read FBC’s Review of “Miserere: An Autumn Tale
Read FBC’s Review of “Of Blood & Honey
Read FBC’s Review of “The Whitefire Crossing
Read FBC’s Review of “The Winds of Khalakovo
Read FBC’s Interview with Bradley P. Beaulieu, Courtney Schafer, Stina Leicht & Teresa Frohock

Thursday, September 29, 2011

GUEST POST: Abusing History by Lev AC Rosen

I have a hardcore BDSM-type relationship with history. I abuse it horribly, then I do some research, it abuses me, I abuse it back . . . and we both love it. At least I do. And history has never protested or used our safeword (nuclear) so I’m guessing she loves it to.

Seriously, here are some bits of history I totally abused while writing All Men of Genius:

1) Ada Byron died in 1852, 31 years before my book starts. She most likely died of ovarian cancer, but no one really knew what was happening at the time, so I prolonged her life by giving her a hysterectomy—we won’t even talk about how I’ve abused science—and then, to top it off, I killed her husband off before he actually died. Why? Well, Ada is just a fascinating character to start with—a mathematical genius, imprisoned in her youth by a crazy mother. But most importantly she was a woman working in the scientific world and doing so successfully. She was respected by her peers. So when I wrote the book I decided that having her there as this icon of ‘yes it could happen, but it so rarely does’ in regards to women in science would work in my favor. Plus, as I said, I just adore her. I tried to use her sparingly, since she’s something of an overused figure in steampunk. I’m not sure I succeeded in that. She’s just so awesome. She gambled and smoked and tried to run off with her tutor when she was a teenager. I’m not saying these are positive qualities — but they are interesting ones.

2) Matthias Forney, the American train engineer was a real person, a brilliant engineer. However, I couldn’t find a single photo or painting of him, so I completely made up his physical appearance. Awful, I know. However, I can share this, for those of you who have read the book; I did not make up Annie. And here’s a bonus happy ending. Awwwwww.

3) JC Adams, Violet and Ashton’s father, was a real person as well, and really was one of the people at the conference in DC who decided where GMT should start. That said, all I had was his name. I made only minimal efforts to find out anything about him because I had a character in mind already. I found nothing, so I went ahead exactly as I had planned. In fact, I chose Mr. Adams because out of all the British attendees of the conference, he was the one I could find out the least about. And I liked his surname.

And those are just the people. Of course there’s plenty of other actual history I abused—I invented a college and put it smack in the middle of the city over another college. I created several noble families which never existed and gave them roles to play in history, as well as reputations and land and all that. And as I said, best not to talk about the science—airships, talking rabbits—all of it is the sort of mad science that Victorian writers were theorizing about, but it never actually happened.

So when does history get her turn to abuse me back? When the research happens. Opening a book is like a smack in the face. You see, the truth is, I don’t like stretching history too much. I like using what’s already there — but that said, I do have plans and plots thought out. For example, I didn’t know Ada’s husband lived until 1893 (like a decade after the novel starts) — why would I? I didn’t care about him, I was focused on her. But suddenly, I needed a reason for why Ada was always alone, never mentioned her husband, and in fact was referred to as a widow in the book. Luckily, though history abuses, it also inspires: Her husband was also a scientist, so it wasn’t too difficult to have one of his inventions kill him off—especially as he worked with steam-presses. Gruesome, but effective.

This is the abuse-inspire cycle I often have with history—it presents problems, but offers unique solutions as well. And I love the solutions I come up with. Before I did research on Ada’s husband I was just going to kill him in an airship crash. How dull is that?

I wasn’t a big history buff in high school or college. I loved Victorian literature, and I got history through period novels—but opening an actual history book? They’re so boring, right? I have no idea when this changed. But somewhere, my research went from ‘oh, I have to read that now’ to ‘oh, I get to read that now!’ I think maybe it’s because I have a more interactive relationship with the history now. I see little pieces like a Persian shah who died of gout, or how in Bali people with dreadlocks are considered healers, and it inspires something (for future books, I’m afraid, not this one — but in the series). I see a problem in what I’m writing? I go research. Usually, I stumble upon another problem while researching, but I usually find a fix, too.

So I abuse history, she abuses me back and yet I manage to reach greater heights of inspiration. Everybody wins. I hope.

ABOUT ALL MEN OF GENIUS:

Inspired by Shakespeare’s Twelfth Night and Oscar Wilde’s The Importance of Being Earnest, two of the most beloved works by literary masters, All Men of Genius takes place in an alternate Steampunk Victorian London, where science makes the impossible possible.

Violet Adams wants to attend Illyria College, a widely renowned school for the most brilliant up-and-coming scientific minds, founded by the late Duke Illyria, the greatest scientist of the Victorian Age. The school is run by his son, Ernest, who has held to his father’s policy that the small, exclusive college remain male-only. Violet sees her opportunity when her father departs for America. She disguises herself as her twin brother, Ashton, and gains entry.

But keeping the secret of her sex won’t be easy, not with her friend Jack’s constant habit of pulling pranks, and especially not when the duke’s young ward, Cecily, starts to develop feelings for Violet’s alter ego, “Ashton.” Not to mention blackmail, mysterious killer automata, and the way Violet’s pulse quickens whenever the young duke, Ernest (who has a secret past of his own), speaks to her. She soon realizes that it’s not just keeping her secret until the end of the year faire she has to worry about: it’s surviving that long...

ABOUT LEV AC ROSEN:

Lev AC Rosen attended Oberlin College in Ohio, majoring in Creative Writing & English, and received his MFA in Creative Writing from Sarah Lawrence College. His short story “Painting” was the inaugural piece for Esopus Magazine’s ‘New Voices’ section. His work has also been featured on various blogs including Tor.com. All Men of Genius is his first novel. For more information, please visit the links below:

Order “All Men of GeniusHERE
Read Excerpts HERE + HERE
Read FBC's Review of "All Men of Genius"