Friday, January 20, 2012

Strata by Bradley P. Beaulieu and Stephen Gaskell (Reviewed by Mihir Wanchoo)


Order Strata HERE (B&N) or HERE (Amazon)
Download an excerpt HERE (ePub), HERE (Mobi) & HERE (PDF)

AUTHOR INFORMATION: Bradley P. Beaulieu is a winner of the L. Ron Hubbard Writers of the Future Award, while his short story, “In the Eyes of the Empress’s Cat”, was voted a Notable Story in the 2006 Million Writers Award. Other stories have appeared in Realms of Fantasy Magazine, Orson Scott Card's Intergalactic Medicine Show, Writers of the Future, and several anthologies from DAW Books. The Winds of Khalakovo was his debut novel.

AUTHOR INFORMATION: Stephen Gaskell is a freelance videogame script consultant and speculative fiction writer whose work has been published in many venues including Writers of the Future, Nature, Interzone, and Clarkesworld. An alumnus of University College, Oxford, he is also a graduate of Clarion East, and a member of the Villa Diodati Writers Group. He is currently working on his first novel, a post-apocalyptic thriller set in Lagos, Nigeria.

OFFICIAL BLURB: It's the middle of the twenty-second century. Earth's oil and gas reserves have been spent, but humankind's thirst for energy remains unquenched. Vast solar mining platforms circle the upper atmosphere of the sun, drawing power lines up from the stellar interior and tight-beaming the energy back to Earth. For most of the platforms' teeming masses, life is hard, cramped—and hot. Most dream of a return Earthside, but a two-way ticket wasn't part of the benefits package, and a Sun-Earth trip doesn't come cheap.

Kawe Ndechi is luckier than most. He's a gifted rider—a skimmer pilot who races the surface of the sun's convection zone—and he needs only two more wins before he lands a ticket home. The only trouble is, Kawe's spent most of his life on the platforms. He's seen the misery, and he's not sure he's the only one who deserves a chance at returning home.

That makes Smith Pouslon nervous. Smith once raced the tunnels of fire himself, but now he's a handler, and his rider, Kawe, is proving anything but easy to handle. Kawe's slipping deeper and deeper into the Movement, but Smith knows that's a fool's game. His own foray into the Movement cost him his racing career—and nearly his life—and he doesn't want Kawe to throw everything away for a revolt that will never succeed.

One sun. Two men. The fate of a million souls!

FORMAT/INFO: Strata is 70 pages long divided over four titled Parts/ chapters. Narration is in the third person via Kawe Ndechi and Smith Pouslon. Strata is a self-contained novella. December 22, 2011 marked the e-book publication and was self-published by the authors. Cover art provided by Doug Williams.

ANALYSIS: Bradley P. Beaulieu is an author who doesn’t exactly need an introduction, with his debut The Winds of Khalakovo, he definitely garnered attention from many readers. He had also attended the Clarion Workshop which was the common ground with his fellow collaborator Steven Gaskell. The kernel of the story came to Brad in 2008 and he wanted to explore more of the story however he needed someone with a more SF-tuned style to help him with it and so he turned to Steven whose works reminded him of Robert Charles Wilson and Robert J. Sawyer. They originally planned it to be a short story of around seven thousand words however the end result after three years was a novella of more than thirty thousand words.

The story begins rather quickly and introduces the reader to the racing team of Kawe Ndechi and Smith Pouslon, who as a pair shine spectacularly by combining Smith’s experience and Kawe’s natural racing brilliance. He’s a winning racer and a couple more races will get him off the Sun’s mining platform on a one way ticket back to Earth however Kawe’s not really aiming for just a win, what he has in mind will not only clash with Smith’s age-worn wisdom but also his heart felt desire. However if the thing is to be accomplished for the rights and lives of the workers on the solar mining platforms, it will only be possible when these two come together to pool their exuberant talents. The racing storyline runs parallel to a worker-management battle which has been silently raging for the past few years and Smith is one such casualty. He however does not wish for Kawe to emulate him in this unfortunate regard but fate and the Movement will not let Kawe go. Such are the travails which lie forth for both these determined racers whose skin color might be from the opposite ends of the color spectrum however the racer spirit is a kindred feeling which unites them with far more stronger bonds.

The novella idea is quite a simple and yet elegant one, in the forthcoming century with Earth’s gas resources being almost finished. The human race turns to the sun and so technology is developed to harness its power, this technology is not without its perils as the people who leave to work on the mining stations cannot afford their way back unless they gather a significant amount of money thus the birth of the racing pods and all the shenanigans which go along with it. Basically the story then simultaneously straddles the twin genres of SF and thriller whilst also touching upon some human social issues, the highlight of the tale being its superb pacing. At no time in the novella will the reader feel any pangs of boredom as the tale is carefully crafted and twists are inserted to make sure that the reader does stumble in his/her assumptions (I know I did with my thoughts in regards to the climax). The characterization is competent delivering the vastly different views of both protagonists and there is no disconnect in the cohesiveness of the plot. Despite it being written by different authors the seams of the collaborative effort are not to be found and this was a major plus.

Points against the plotline are that the technology and social spectrum described in the book aren’t really explored beyond what is told to the reader and some might find this to be the fly in their ointment. I personally didn’t mind it as it was not the focus of the story. The length of the story while delivering a nice compact read also robs the reader of getting to know the characters & the world they inhabit to the fullest degree.

CONCLUSION: This SF collaboration is the first between these two creative minds, however simply based on what I read. I think they ought to collaborate regularly and for longer pieces of fiction. Strata is a twisted, fast-paced SF novella for readers who yearn to read newer stories, Beaulieu & Gaskell set out to write a short story about racing on the sun but have delivered a very good novella which manages to be much more than what its blurb promises, very much recommended!

Thursday, January 19, 2012

Two More 2012 Upcoming Titles, Karen Thompson Walker and Lauren Groff (by Liviu Suciu)


In the few posts with Upcoming 2012 Titles of great interest (I, II, III, IV) I mentioned I would also look around for debuts that intrigued me - or at least books announced as such since these days with the proliferation of pseudonyms and repackaging of authors under different "brands" - and for good reasons in general - it is sometimes hard to know when a book is a debut or no.

While so far only the Saladin Ahmed title that will be published soon and has already garnered some good early reviews tempts me from the "core genre" arena - title I do not have yet but will look for when published at the latest - and I am not sold on the conceit of The Flame Alphabet by Ben Marcus (not a "true debut" but like the 2010 Justin Cronin novel below, a sff debut) which I have not yet seen, but will try at least a sample soon, I recently found out about The Age of Miracles by Karen Thompson Walker, a June novel that seems to have generated some waves (and sold for $$$$$$$) as the Guardian article linked here notes.

I put a request for a review copy and I plan to take a look at this novel asap since in hype at least, it seems to be the 2012 analog of The Night Circus of 2011 and of The Passage of 2010.

Here is the blurb which has some similarities with the Booker nominated The Testament of Jessie Lamb in so far it is about the "apocalypse in slow motion", though here the cause seems to be an earthquake rather than a genetically engineered virus, so a classical "act of God" rather than the more "du jour" "we did it to ourselves", but we'll see...

"Luminous, haunting, unforgettable, The Age of Miracles is a stunning fiction debut by a superb new writer, a story about coming of age during extraordinary times, about people going on with their lives in an era of profound uncertainty.

On a seemingly ordinary Saturday in a California suburb, Julia and her family awake to discover, along with the rest of the world, that the rotation of the earth has suddenly begun to slow. The days and nights grow longer and longer, gravity is affected, the environment is thrown into disarray. Yet as she struggles to navigate an ever-shifting landscape, Julia is also coping with the normal disasters of everyday life—the fissures in her parents’ marriage, the loss of old friends, the hopeful anguish of first love, the bizarre behavior of her grandfather who, convinced of a government conspiracy, spends his days obsessively cataloging his possessions. As Julia adjusts to the new normal, the slowing inexorably continues.

With spare, graceful prose and the emotional wisdom of a born storyteller, Karen Thompson Walker has created a singular narrator in Julia, a resilient and insightful young girl, and a moving portrait of family life set against the backdrop of an utterly altered world."

Edit 1/19/2012 later - my review request was approved faster than I expected so I got a copy of the book this afternoon and I took a look and the prose is indeed beautiful at least from a quick glance. As today was the big day of UK sf releases (McAuley, Reynolds, Meaney) I will be busy for a while with those three which I just bought together with an earlier UK sf release by Chris Beckett that has great reviews so I will probably get to The Age of Miracles in a few weeks (June release anyway), but I have great hopes for it now.

************************************************************************


Not a debut and not really sff, but I would be remiss not to also mention Arcadia, the second novel of Lauren Groff after her superb debut The Monsters of Templeton which Robert reviewed here in 2008.

This review was one of the main reasons I started following closely Fantasy Book Critic in early 2008 - you can see the comments there as I even did not have a Google identity at the time and I needed to be anon though I would always sign my name - and then later, entering in more discussions about books with Robert and finding out we have similar sensibilities led to my collaborating here.

As it should be obvious, I also loved this book a lot and Arcadia - about which I found out only a few days ago at the end of last week, but through the magic of Net Galley, I managed to get a review copy this week - and from which I read some 50 pages so far, seems to be as good as the author's debut and I expect I will finish it soon with a review closer to its March publication date, though in the meantime some thoughts will be posted on Goodreads where I keep the journal of books read, reading, considered, wanted...

Here is the blurb:

"In the fields and forests of western New York State in the late 1960s, several dozen idealists set out to live off the land, founding what becomes a famous commune centered on the grounds of a decaying mansion called Arcadia House. Arcadia follows this lyrical, rollicking, tragic, and exquisite utopian dream from its hopeful start through its heyday and after."

Tuesday, January 17, 2012

Blue Fall by B.B. Griffith (Reviewed by Mihir Wanchoo)

Order the book HERE

AUTHOR INFORMATION: Brad B. Griffith was born and raised in Denver, Colorado. After graduating from Washington University in St. Louis with a degree in English and American Literature, he roamed the world a bit before returning to Denver to set up shop with his wife. Previously he's been a student, teacher, publisher, and editor, but he has always wanted to be a writer and this is his debut.

OFFICIAL SYNOPSIS: A routine investigation throws a hapless insurance agent down the rabbit hole, into a world where the rich and powerful place wagers on the greatest game on earth.

They call it the Tournament. It offers competition without limits. It is beholden to no man, and constrained by no law, and it is extremely dangerous.

But where does the true power lie in this World Cup of warfare? With those who place the bets, or with the deadly players themselves?

And can one man expose the secret before they find him?

FORMAT/INFO: Blue Fall is 503 pages long divided over fifty-three numbered chapters with a prologue & an epilogue. Narration is in the third-person, via the following characters Alex Auldborne, Frank Younsmith, Allen “Lock” Lockton, Ian Finn, Dr. Baxter Walcott, Greer Nichols, Nikki Hix, Max Haulden, Kayla MacQuillan, Eddie Mazaryk, Diego Vega, Tristan Noel, Johnnie Northern, Takura Obata, Sarah Walcott, Ignacio Andizzi and a few minor one-off POV characters. Blue Fall reads as a standalone novel, but is the first volume in an open-ended series.

September 1, 2011 marked the Paperback and e-book publication of Blue Fall via Griffith Publishing. Cover art is provided by Julia Kuo.

ANALYSIS: Blue Fall is a book which was sent to us for review purposes, the blurb details given above do not appear that exciting but what garnered my interest was this paragraph detailing the content of the book:

The book centers on the notion of using contests between individuals to settle disputes between nations. Thousands of years ago, warring nations sent their champions to battle each other, and the outcome of single battles often settled wars. This type of fighting is immortalized in literature as well: Achilles fought Hector, for instance, to settle the Trojan War. David went out to battle Goliath. The notion of a national champion has fascinated readers for years. Blue Fall asks what our national champions might look like today. The plot is set in modern times, where war has cost millions of lives, and nations are growing weary of it. A secret group of powerful individuals creates The Tournament, a competition where the best and brightest of one country can battle those of another country.”

The above description immediately got me hooked and I was waiting to get my hands on the book to see how the author had developed this fascinating premise and what his imagination had created.

The story has a multiple POV structure, which begins with Frank Youngsmith who is woken up in his sleep to investigate the death of a scientist Bill Beauchamp, the particular surprising thing is the hike in his insurance standards that demand an investigation plus the nature of his death is anything but normal. The story then swings along with Frank’s journey as he investigates the widow and Beauchamp’s workplace that do nothing to alleviate his suspicions. To top it all at Dr. Baxter Walcott, Beauchamp’s work colleague manages to give Frank some information which blows his mind and then sets him on a path with a collision course with the people who are running the Tournament. The book then also focuses on various tournament players namely Alex Auldborne, Max Haulden, Ian Finn and many others. It gives us a vital look into their past thereby creating a vital portrait for the reader to thoroughly understand them and perhaps guess their intentions.

The story then zooms off as the latest iteration of the Tournament begins and all the teams are lined up for the draw, which is a last moment thing and then of course huge bets are laid on the outcome by various people, corporations and nations worldwide. The story basically then follows the various bouts between the teams that are made up of three individuals who hold the positions of Sweeper, Striker & Captain and the various interpersonal dynamics. The plot races along with the rounds and explodes with the fallout whilst dealing all the twists and then finally ending on its totally unexpected climax.

This book while having a dynamic premise and a different style of prose has quite a few things going for it as well a few against it. The good thing about it is that the author has taken time to establish each and every POV character. Beginning with each character’s complete back history and then going all the way until they joined their national teams, the author gives the reader compete access to their life story thereby making the reader feel a strong bond with the character. The second aspect of the story, which is exciting is that, the plot twists mostly come out of the left field and therefore it is quite unpredictable. The factor that contributes most to this unpredictability is the fact that there’s no one central protagonist and so with so many characters to follow, the reader gets quite a few different perspectives of the same events. This adds to the panoramic feel of the story and makes it harder to judge who are the real heroes. The author also is not averse to killing off his characters and this also adds to the unpredictability factor, as the POV characters are not safe either.

The foibles present in this story are that for the first 150-odd pages the pace is very pedestrian as the author builds up the characters and adds their backstories, the readers will have to persevere through the earlier part as the payoff comes in the later half of the story. The second part that really didn’t gel with me was the part regarding certain crucial explanations namely the fact that the author never really reveals much about the history or origin of the Tournament, thirdly the reason behind the selection of the main characters who represent their countries are never properly declared. What makes them so special? why were they selected? I would think in a tournament involving the use of a certain type of a gun and focusing on martial prowess, it makes sense for specialized soldiers to be the ideal candidates. But such is not the case for most chosen candidates. The author never specifically reveals these facts and so as a reader, it left a big hole in the premise of the plot. I don’t know whether this will be a big deal for many readers however since the premise of the book hinges on this special tournament, I felt that it needed to be explained thoroughly which it wasn't. Also on the flip side since this is book one of the series, the author could have planned to reveal a lot more in the sequels, but I felt that a few more background details should have been revealed in this one.

CONCLUSION: Brad’s debut does show promise with its exciting premise and plot twists, however the overall execution does not match up with its promised satisfaction. Showing potential and a vivid imagination, Brad B. Griffith is an author who showcases his talent and should he polish up the deficiencies mentioned above I'm sure he will be a thriller author to watch out for.

Monday, January 16, 2012

Dead Eye: Pennies for the Ferryman & Dead Eye: The Skinwalker Conspiracies by Jim Bernheimer (Reviewed by Mihir Wanchoo)


Order “Dead Eye: Pennies for the FerrymanHERE
Read an excerpt HERE
Order “Dead Eye: The Skinwalker ConspiraciesHERE
Read an excerpt HERE

AUTHOR INFORMATION: Jim Bernheimer lives in Virginia with his wife and two daughters. He has previously worked in the IT field since the past decade. He was inspired to start writing after reading the works of Robert Heinlein, Edgar Allen Poe, J.R.R Tolkien, and C.T. Westcott. He has previously written quite a few short stories which can be found here. By day he works as a Network Admin and runs his own computer consulting firm.
About Dead Eye: Pennies for the Ferryman: My name is Mike Ross. I'm a Ferryman. I help people with ghost problems, or ghosts with people problems. Funny thing, no one ever helps me with my problems. Civil War ghosts bent on killing me, Skinwalkers who just want my body, and a vindictive spirit linked both to my bloodline and my destiny. The dead still hold a good deal of influence over the world, and they don't want to give it up.

About Dead Eye: The Skinwalker Conspiracies: My name is Mike Ross and I’m a Ferryman – like in the Greek myth. I didn’t ask for, or really want, the job, but I’m trying to make the best of it. Most ghosts are okay and just need a little help to get where they need to go. Unfortunately, there are lots of exceptions, like power-mad psychopaths, spirits still trying to fight battles long since lost, and the worst of the lot – the Skinwalkers. They live vicariously by possessing people and controlling them like puppet masters. Then they toss them aside when they’ve outlived their usefulness. One of them stole some one close to me fifteen years ago, and now I’m going to make that ghost pay.

CLASSIFICATION: The Dead Eye series is a multi volume urban fantasy series which combines the mystery plot aspect showcased in books by John Connolly & Harlan Coben with the dark humor laced prose of Jim Butcher & Tim Marquitz.

FORMAT/INFO: Dead Eye: Pennies for the Ferryman is 258 pages long divided over thirteen numbered and titled chapters. Narration is in the first person solely via Mike Ross. Dead Eye: Pennies for the Ferryman is the first novel of the Dead Eye Chronicles. May 18, 2009 marked the Paperback and e-book publication of Dead Eye: Pennies for the Ferryman via Gryphonwood Press. Cover art is done by Shannon Farrell.

FORMAT/INFO: Dead Eye: The Skinwalker Conspiracies is 248 pages long divided over sixteen numbered and titled chapters (The numbering however is continued from the first book and so the first chapter is numbered fourteen and so the last chapter is twenty-nine). Narration is in the first person solely again via Mike Ross. Dead Eye: The Skinwalker Conspiracies is the second novel in the Dead Eye Chronicles. September 18, 2011 marked the Paperback and e-book publication of Dead Eye: The Skinwalker Conspiracies via Gryphonwood Press. Cover art is done by Shannon Farrell.


ANALYSIS: The Dead Eye series is a urban fantasy series that had its first book released nearly three years and as usual with my past record of discovering books later than usual, I happened upon it last year when the sequel was released. For this review I’ll be jointly reviewing both the books as they run in continuation as the chapter numbering indicates. The blurb details pretty much cover of what the story is about in both cases. However I didn’t know what to expect exactly, of course I had an assumption about it and in a way it was wrong as assumptions usually go.
The first book begins in a laconic fashion with the narrator Mike Ross explaining how he life took its first turn for him after he joined the army and went to Iraq. Things however don’t work out for him abroad as he’s injured in an attack which leaves him visually handicapped and soon is sent back home wherein he receives a new transplant for his damaged right eye. He plans to begin college and so enrolls in a local college called Montgomery College. That is wherein he meets Jenny Goodman, a girl whose interests align a bit with his own, things however soon start taking a weird turn when Mike starts seeing ghosts with his new eye and then finds out his role-to-be as a Ferryman. Ghosts soon start popping up alarmingly around him and he gets embroiled in matters of a supernatural origin involving civil war era ghosts and the origin of Mike’s Ferryman Status.

The second book starts off quite close to the end of the first one and deals with the revelations which occur in it. Mike has some pretty heavy stuff revealed to him in regards to his powers and his ancestry. These revelations put him on a road to dealing with the people who are called Skinwalkers especially since one of them has interfered with his family in the past leading to the current situation in the Ross household. From here the story escalates wildly as the author tries to enmesh the multiple plotlines introduced in the first book along with those rising in the sequel and make the world settings deeper than they are visible. To further discuss any more of the plot would lead to spoilers about its predecessor and so I'm going to refrain from doing such.

The story begins on a very personal front and takes it time to coalesce, until then the reader is given a nice dry overview of life, social standings and other things by the world-weary narrator and even though he’s only twenty-three years old, it doesn’t come off as impetuous or whiny. What also helps the tone of the book is that the narrator Mike Ross who is an everyman hero and who unlike Peter Parker doesn’t even have any superpowers to bank upon. What he does have in spades, is an iron willed determination and a sarcastic sense of humor which keeps the reader chuckling along. The story unlike most urban fantasy stories begins slowly and doesn’t really herald a world completely aligned with the fantastic. The world showcased is very similar to our one in its mundaneness and inanity. However once Mike starts experiencing his new ability is when the story really progresses into the supernatural zone. This plot progression is smoothly enmeshed within the story and I enjoyed how the author showed that while things are heating up on the paranormal front, the normal human part of Mike’s existence isn't left in a limbo. We find out how his normal life is progressing or rather hampered by the other side.

The ghosts described in this world are as vindictive, moody and as vicious as the humans inhabiting the world alongside them. Mike then discovers certain irregularities involved with his eye transplant and it’s from this turn that the book involves Civil war era history, ghosts, the writing of Edgar Allen Poe and much more. The prose is very accessible and makes for an easy read. The paranormal settings are revealed quite steadily and this helps the reader as nothing is out of the left field except for the twists of the plot. Overall the best parts of the story are its narrative voice, easy prose and difference in the story approach from the usual urban fantasy trappings. The negatives to this story could be that readers who are so used to finding vampires, Lycans and other supernatural folk frequently in their stories might find their absence a bit disorienting, as they are accustomed to. This is however less of a concern in the second book wherein the supernatural aspects are increased exponentially. Another concerning feature is that sometime the sub-plots take a life of their own and threaten to overwhelm the main plot but the author manages to keep them in check in both the books. It’s never made certain whether this is done intentionally to show the chaos in Mike’s life or was something which developed during the writing process.

CONCLUSION: Jim Bernheimer is an author who has done things differently with his urban fantasy books and this just proves that even in an almost saturated sub-genre, one can still use their imagination to craft a story which delights and thrills readers who are fast getting bored of reading all-too-familiar stories every year. For all urban fantasy and mystery readers, these books are definitely worthy of your time & money, as for me I can’t wait to see where the author takes our beleaguered protagonist next and what new travails await the young Ferryman.

Sunday, January 15, 2012

"In the Lion's Mouth" by Michael Flynn (Reviewed by Liviu Suciu)


Official Michael Flynn Blog
Order "In the Lion's Mouth" HERE
Read FBC Review of "The January Dancer"
Read FBC Review of "Up Jim River"

INTRODUCTION: "In the Lion's Mouth" is the third *but not* final book in the series that started with "The January Dancer" and was followed by "Up Jim River". In my reviews linked above, I described these books as "Celtic space opera".

"The January Dancer" was both intriguing and well executed but "Up Jim River" had some structural issues that detracted from my full enjoyment, so "In The Lion's Mouth" was a book I planned to read but did not expect to engross me so much that I literally could not put it down one recent evening I started seriously reading it, until very late when I finished it. Besides how much I enjoyed it, the major surprise was that the series was not a trilogy as this novel ended on a (semi) cliffhanger and the direction of the fourth installment has now clearly been set.

OVERVIEW/ANALYSIS: I will present a rough outline of the set-up - there is more in the above reviews - and of course the following has inevitable spoilers for the previous two books, though as I would say that a major part of the series' attraction is its execution - style, characters, world building - these spoilers are not that important in detracting from a new reader's enjoyment.

In the far future, humanity is split into two parts by the structure of space time, as ftl is possible only through special "hyperspace tubes" where somewhat different physical laws hold - eg the speed of light is still the supreme such but it is much higher than our c - while being still close enough to allow human ships to go. The originally settled core including the now downtrodden Earth is called The Commonwealth of Central Worlds and is dominated by a dictatorship of "Those of the Names", humans (?) with special powers and of sinister reputation, while their secret police, the "Shadows" enforce their rule.

However most of the action so far took place in the former "wild", across a huge gulf of space with few and narrow such hyper-tubes connecting it with the "core", where undesirables thrown in exile a long time ago fashioned various civilizations, most notable being the United League of the Periphery with its Celtic overtones I have been mentioning and with the "Hounds" being the analogue and of course sworn enemies of the Shadows.

The long cold war between the two civilizations has been disrupted once by an alien artifact called "The January Dancer", while some two decades later, Donovan, a strange older man with multiple personalities and a shadowy history, agent of both the Commonwealth and the League in turns and main participant in the "Dancer" resolution, discovered that the past contained even more surprises than he expected and was compelled by one such "surprise", the young "Harper" Lucia Thompson aka Mearana to go finding her missing mother, famous hound, Francine Thompson aka Bridget ban...

In the current novel, it is Donovan, expected for a family rendezvous with Mearana and Bridget, who is missing and the book starts dramatically with Shadow Ravn Olafsdottr once tasked with Donovan's elimination at the first sign of disloyalty towards "Those of the Names" who turns fearlessly in her enemy's lair to discuss Donovan's fate with his daughter and former lover...

So two threads, one taking place in a short period of time and going forward where Ravn is cautiously listened to by Mearana, Bridget and her ready to shoot on sight minions, and the other that has already taken place and involves Donovan and his unintended return to Commonwealth space where civil war is brewing and some of the rebel Shadows seem to need him for their reasons.

A structure not unlike the one in The January Dancer with the tale sung by Mearana to Donovan decades later in a bar on an obscure planet, with the girl trying to coax the unknown details from her newly found father and like there it works beautifully as the tension heightens page by page, though this time we end on a semi-cliffhanger in both threads that of course prepare to converge...

As in "Up Jim River", Donovan and his multiple split personalities is the star of the novel, while this time Ravn is his "sidekick" - ok part captor, part friend - rather than Mearana, while here the girl and her mother are more of bystanders, though they both exude strong emotions as Ravn keeps narrating and Donovan's fate seems to be sealed.. Or is it?

Prepare to be surprised as twists and turns abound when the action moves into the "Those of the Names" space and a lot of past mysteries and revelations appear taking this series to the next level. The same archaic prose style works wonderfully here - no more silly accents and no more exoticisms that conflict with it either - and "In the Lion's Mouth" (top 25 novel of mine) shows Mr. Flynn on top of his form, while the next installment moved back to my "highly expected, get and read asap" list.