Tuesday, February 21, 2012

Blood and Bullets by James R. Tuck w/ Bonus Review of "That Thing At The Zoo" (Reviewed by Mihir Wanchoo)


Read an Excerpt HERE
Order the book HERE


AUTHOR INFORMATION: James R. Tuck was born and brought up in Georgia. His path to publication was strangely without an agent and solely due to his manuscript. He’s formerly worked as a bouncer and is a professional tattoo artist with more than 16 years of experience. He also runs his own tattoo parlor and resides in Georgia with his wife and pets. This is his debut novel.

OFFICIAL BLURB: He lives to kill monsters. He keeps his city safe. And his silver hollow-points and back-from-the-dead abilities help him take out any kind of supernatural threat. But now an immortal evil has this bad-ass bounty hunter dead in its sights. . .

Ever since a monster murdered his family, Deacon Chalk hunts any creature that preys on the innocent. So when a pretty vampire girl "hires" him to eliminate a fellow slayer, Deacon goes to warn him--and barely escapes a vampire ambush. Now he's got a way-inexperienced newbie hunter to protect and everything from bloodsuckers to cursed immortals on his trail. There's also a malevolent force controlling the living and the undead, hellbent on turning Deacon's greatest loss into the one weapon that could destroy him. . .

FORMAT/INFO: Blood and Bullets is 352 pages long divided over twenty-four numbered chapters. Narration is in the first-person solely via Deacon Chalk. Blood and Bullets is first book of the Deacon Chalk: Occult Bounty Hunter series.

February 1, 2012 marked the North American paperback and e-book publication of Blood and Bullets via Kensington Books.

ANALYSIS: James R. Tuck’s debut promised a lot of blood, mayhem and particularly dark corners in the urban fantasy world. I am usually a sucker for urban fantasy stories and if they are of the darker kind, then it just becomes that much easier for me to pick up those books. So it's with a similar kind of anticipation that I went into the first Deacon Chalk book.

The story is a very traditional urban fantasy with Deacon Chalk narrating the story, the opening chapter brings Deacon face to face with a child vampire and one who shares a bare resemblance to his lost daughter. Things aren't looking good for him but the vampire surprises him by asking for his protection. She is being hunted by a being called Nyteblade and seeks protection from the threat. This puts the vampire hunter into a quandary as his usual role does not have him turning protector for the very things he has sworn to hunt. Things however don’t end to the vampire’s benefit and Deacon is on his way to check up on Nyteblade. This is where’s the story actually picks up and the actual plot kicks in.

The book with its dark, haunted protagonist, grim settings and fast paced plotline seemed to be everything which qualifies as fun reads for me, but somehow this book didn't do nearly enough. I shall present both reasons as to why I both liked and disliked certain aspects in this book and then maybe I shall be able to decide where I stand in the overall conclusion to the book. The positive points to the book are its quick pace, excellent action packed sequences and plot compactness. Firstly the best thing about this book is its pace, beginning from the first chapter all the way to its explosive climax. The book never lets us down in this aspect and the reader will not feel bored as things are constantly happening on the page. The author’s flair for action sequences is certainly visible as Deacon Chalk is constantly going into or getting out of fights with vampires, their underlings and others sorts of things which tend to cross his path. Lastly the story is a compact one with a proper beginning and end as the author has very conveniently structured the plot so as to get the reader hooked for the sequel. Another cool feature which I read were some careful nods inserted to the creations of Laurell K. Hamilton, Jeaniene Frost, Supernatural TV series and a few others. This was just funny and a bit quirky to read about.

Now onto the parts that dragged the book down were its predictability, the main character’s multifaceted persona and two dimensional character cast. The biggest letdown for me was the character’s multifaceted persona, normally this would have been something to be counted as a positive however in this case the author has tried to make Deacon Chalk a man of many talents/sides. This perhaps worked against the book as the character does or says things which contradicts his own observations from earlier in the book. One example of such behavior is that the character constantly proclaims that he’s not looking for company to replace his dead wife but then alternately talks about the specific type of perfume he utilizes and how his appearance attracts the ladies. Another point was that this hunter is supposed to be a person whose sole obsession in life is to hunt down supernatural killers but alternatively he has time to note what presume and specific type of clothes he wears that accentuate his looks. The aforementioned reasons along with a couple other occurrences didn't gel with what the character kept on proclaiming. Usually I don’t get bothered by such trivial things however in this case I felt that the author was trying to paint Deacon as more than a man and this attempt translated into giving him more than one persona that ruined the read for me as the main character’s chatter made him seem more like a loudmouth than the real deal.

I will admit that this was purely my observational bias and maybe most readers will not be bothered by it however it stood in the way of me enjoying the book. The second downward point is that the plot’s nature is predictable not overtly but for regular readers of the urban fantasy genre, it won’t be hard to decipher where the overall plot might be heading. Thirdly the character cast which is introduced in this book seem very interesting however don’t get much time on screen to make their presence felt. They remain two dimensional sidekicks and this again detracted a bit from the overall read. I would like to think that since it’s the author’s debut that some of these points can be overlooked and perhaps in the future books the author might be able to fine tune the character so as to not seem overbearing. I look forward to those future endeavors because of the novella which I also read at the same time and which helped redeem the author’s cause.

CONCLUSION: Blood and Bullets is a quintessential urban fantasy book which promises to deliver like any Michael Bay film for readers who are looking for those sort of thrills. It however doesn't distinguish itself from the crowd and this is perhaps its greatest fallacy. It remains to be seen where this series heads in the future but for now Blood and Bullets wasn't a debut which particularly delivered on its blurb promises.



Order the Novella HERE

OVERVIEW/ANALYSIS: That Thing At The Zoo is a prequel novella set approximately six months before the events of Blood and Bullets. The story blurb is as follows: “Knowing his enemy is a rule Deacon Chalk swears by. But he's never seen anything like whatever is leaving the Atlanta Zoo's most dangerous predators bloodless, skinned, and hanging high in treetops. And he’s only got till sunrise to keep it from turning the entire city into a slaughterhouse. Now Deacon is in zoo lockdown with a handful of staffers to save. His zookeeper backup has more guts than monster-hunting experience. And the only chance Deacon has to run this thing to unholy ground is to risk unleashing his darkest, most uncontrollable instincts.”

The novella is about 80-odd pages long and is divided into eleven chapters. Akin to Blood and Bullets, this prequel story is also narrated by Deacon Chalk. The story premise focuses on the Atlanta zoo wherein someone or something is slaughtering the animals however the peculiar nature of the kill is what gets Deacon invited to the crime scene. Detective John Longyard knows about Deacon’s past and is a part of it; he also has some semblance of foresight into Deacon’s current goals. He brings Deacon to the zoo to solve the problem and that’s when the bedlam begins.

I really enjoyed reading this novella as it felt that the author’s strengths were maximized in this form of the story and there wasn’t enough space/time for the negatives to make an appearance. Once again the pace of the story is its highlight as the author quickly brings the reader up to speed and then lets things go haywire. Another positive feature is the horror edge to this story which is nicely nuanced by the zoo location, the author has managed to let his imagination take some weirdly creative turns which accentuate the story's darkness. The author also wisely utilizes the side character cast in this tale and therefore they get much more of a bigger role than in the debut novel.

After finishing this novella I was struck by two things, primarily that James R Tuck really nails down this novella idea mixing horror and thriller themes within the urban fantasy sub-genre and secondly this novella is much better than the actual book purely because the nature of the story does not let the author create the points which I noted in the review above that detracted from my reading experience. I would very much recommend this novella to readers who are looking for a quick thrill ride, with the hope that the author can recreate his form in the longer forms of his craft in the future as well.

Sunday, February 19, 2012

WORLDWIDE GIVEAWAY: Win a SIGNED COPY of Rachel Aaron’s “The Legend Of Eli Monpress Omnibus”!!!


Read FBC Review of "The Spirit Thief"
Read FBC review of “The Spirit Rebellion”
Read FBC Review of “The Spirit Eater” and “Spirit’s Oath”
Read FBC’s Interview with Rachel Aaron

In support of the February 24, 2011 North American publication of Rachel Aaron’s “The Legend Of Eli Monpress Omnibus”—Fantasy Book Critic is giving away THREE SIGNED COPIES of “The Legend Of Eli Monpress Omnibus” courtesy of Rachel Aaron and Orbit Books!!! Each winner will also have the opportunity to get their copy personalized (if they want it so)!


To enter, please send an email to fbcgiveaway@gmail.com with your Name, Mailing Address, and the subject: ELI MONPRESS. Giveaway has Ended. Thank you for entering and Good Luck!


GIVEAWAY RULES:

1) Open to Anyone WORLDWIDE.

2) Only One Entry Per Household (Multiple entries will be disqualified). (

3) Must Enter Valid Email Address, Mailing Address + Name.

4) No Purchase Necessary.

5) Giveaway Has Ended.

6) Winners Will Be Randomly Selected and Notified By Email.

7) Personal Information Will Only Be Used In Mailing Out the Prizes To the Winners.

"Hotel Iris" by Yoko Ogawa (Reviewed by Liviu Suciu)

Yoko Ogawa at Wikipedia
Order Hotel Iris HERE

INTRODUCTION: I have heard of Yoko Ogawa in connection with her most famous novel, translated as The Housekeeper and the Professor. I got a copy of that one a few years ago when it was published here in the US though I have not read it yet, but recently I opened her newest (2010) English translation, Hotel Iris and I was hooked.

"In a crumbling seaside hotel on the coast of Japan, quiet seventeen-year-old Mari works the front desk as her mother tends to the off-season customers. When one night they are forced to expel a middle-aged man and a prostitute from their room, Mari finds herself drawn to the man's voice, in what will become the first gesture of a single long seduction. In spite of her provincial surroundings, and her cool but controlling mother, Mari is a sophisticated observer of human desire, and she sees in this man something she has long been looking for."

OVERVIEW/ANALYSIS: "Hotel Iris" is a short but very compelling first person novel. I think that its distinctive voice makes it so good - lonely, overworked and generally neglected teenager Mari whose widow mother uses as unpaid labor to run their hotel Iris in a Japanese holiday resort by the sea.

So not only was Mari forced to drop out of school a few years back, but she basically has very little time or money for herself and while her mother likes to groom her - after all an attractive face behind the counter brings is better for business than an ugly or unkempt one - she otherwise treats Mari mostly as "property".

"After Grandfather died, Mother made me quit school to help at the hotel. My day begins in the kitchen, getting ready for breakfast. I wash fruit, cut up ham and cheese, and arrange tubs of yogurt in a bowl of ice. As soon as I hear the first guests coming down, I grind the coffee beans and warm the bread. Then, at checkout time, I total the bills. I do all of this while saying as little as possible. Some of the guests try to make small talk, but I just smile back. I find it painful to speak to people I don’t know, and besides, Mother scolds me if I make a mistake with the cash register and the receipts are off."

There is a little backstory about Mari's father who died in an accident/drunken fight some years back at age 31 and whose memory Mari worships as he was the only really kind influence in her life, despite his bouts of drunkenness and fights with her mother.

Given the above, Mari seems to be an easy prey for an older man whom despite his sort of distinguished appearance is first seen when thrown out of the hotel for abusing a prostitute he brought there. Seeing him by chance some two weeks later when out on errand for her mother, Mari follows him and the two are drawn together as unlikely as it seems.

"Then one night my father didn’t come home at all. He was still missing the next day, and my mother scolded me for running out of the lobby again and again to see if he was coming down the street. His body was found late that night, his face so swollen and covered in blood that it was almost unrecognizable. After that, I stopped waiting.

There was nothing of great importance in the translator’s letters—the arrival of summer, his work, the progress of Marie’s romance, references to our walk on the cape—but I enjoyed his formal, slightly peculiar way of expressing himself.

The most important minutes of my day were those spent hidden behind the front desk, poring over his letters. I would cut open the envelope with great care, read the letter three or four times, and then refold it exactly along the creases he had made."

Things however are not that simple and while the man seems to be the classical sexual predator: older, widowed and with rumors of his wife's death being a murder, living by himself in an isolated house on a nearby island which is little populated etc etc, the story definitely does not go that route though it has its share of stuff that may seem twisted.

However, the language is never explicit and the book just flows on the page, while the tension builds page by page as the secret relationship of the two cannot stay secret for ever in such a small place and something will have to give...

Saturday, February 18, 2012

Upcoming Baen Books of Interest (by Liviu Suciu)


While A Rising Thunder - the lead March title - is almost here and is already in the 400's in the Amazon rank so almost guaranteeing a top spot on the bestseller lists in the March week of publication, the ebook is already out with my review to come next week, May-August each feature a major Baen book of interest, though the May one seems to be delayed for a while, while I have already read the July one and it is very good.

******************************************************************


May brings No Going Back which is Mark Van Name's 5th Jon & Lobo novel (#3 FBC Rv + discussion of earlier novels, #4 FBC Rv) and one I am really excited about as last year there was no series book and the retired super-soldier with secret powers/sentient spaceship combo has become a huge favorite of mine. This one seems to get into the deep secrets of Jon and the quarantine of his birth planet but I have a feeling Lobo will have its own surprises too.

******************************************************************


The 163* universe is going strong (as this is book #14) and while I have been mixed about the recent side stories and novels and I have not read the Grantville Gazette in a long time, I really enjoyed Bernie Zeppi's Russian saga in the stories from the Gazette, so I am looking forward to "his" novel, though I heard there will be some differences and some major surprises in 1636: The Kremlin Games, which is Baen's lead June title.

I reviewed the recent Eric Flint solo novel 1636: The Saxon Uprising that is part of the backbone of the series and provided an overview of the series to date and I am still a huge fan of the universe and of its main cast which is among the most memorable in recent sff. Most 163* should be available free on the Baen CD site in the Eric Flint CD's like the one for 1635: The Eastern Front.

******************************************************************

In July, David Weber finally proves that he can do pure (more or less as we still have a multiverse and logical magic) fantasy on the level of his superb sf.

Now Safehold is mostly epic fantasy with an AI wizard, but it is also very sfnal in ethos, so the Bazhell or War God's Own series of which War Maid's Choice (earc available to buy here) is #4 is considered his main foray in the genre.

The first three volumes are free on the various newer Baen DW CD's here and while I thought #1 and #2 were light, more humorous and definitely B-level fantasies, the 3rd book started becoming more serious, but it had a very incomplete feel despite resolving its main threads. Now, 8 years later in our universe and 7 in Bazhell's, War Maid's Choice takes the series to a high level of epic and completes the arc started in the 2004 Wind Rider's Oath. I have reviewed and talked about way too many DW books to link all here, so check our Review Index and my recent Empire of Man post.

******************************************************************


Finally in August, Queen of Wands is John Ringo's second foray in UF after the interesting and alternating funny and dark/tragic Princess of Wands of many years ago (you can read this and most Ringo books on his Baen CD's HERE).

Here I will include the blurb as I have not talked about this series so far, but I would like to mention that the middle part of Princess of Wands is just a masterpiece of UF dark humor, though of course some of the targets may not see it that way. Anyway the author kills his alterego too in addition to killing lots of the book persona of other writers and critics and his choice of villain (hint: another Baen writer that dabbled in long winded high fantasy) is also really funny in quite a few ways. I am really curious about Queen of Wands as UF is not my cup of tea while Mr. Ringo's recent offerings have also been away from my preferences.

"Soccer mom and demon fighter Barbara Everette is back in this intricately interwoven monster noir thriller, the sequel to bestselling Princess of Wands by eight times New York Times best-seller, John Ringo.

Barbara Everette has a problem. It seems Janea, Barbara’s assistant and The Foundation for Love and Universal Faith's best operative, has been thrown into a coma by some very nasty magic she’s stirred up. Barbara must track down the perpetrators and break the spell or Janea's soul will be forever lost on the astral plane. Oh, and if she can't break the spell, zombies will destroy all mankind.

Meanwhile, Janea, a high-dollar call girl, stripper and High Priestess of Freya when she isn’t fighting demons, must contend with a spiritual journey of her own. It’s a journey into Janea’s acceptance of herself in
all her dimensions (and what dimensions they are!). Where to locate one’s true inner essence? At a science fiction convention, of course. But when rescuers pursue Janea into her vision of a geeky alternate reality, we find this is one science fiction convention where the Guest of Honor could turn out to be Death Himself.

Finally, the Christian soccer mom and the Norse priestess stripper face their greatest challenge ever when an ancient Old One rears Her ugly face, and the Mother of Darkness walks among us. Since this is one Mother who is quite immune to any conventional power, including nuclear weapons, it seems humanity’s only hope is God.

The question being: Is God
willing to save humanity? Fortunately for the rest of us, Barbara and Janea are determined to fight to the last ounce of faith to find out."

Friday, February 17, 2012

"The Face of Another" by Kobo Abe ( a short review by Liviu Suciu)


Kobo Abe at Wikipedia
Order The Face of Another HERE

INTRODUCTION: Originally published in Japan in 1964, and translated in English by John Saunders in 1966, The Face of Another has been reprinted in 2003 and released in electronic form in 2011. While before this one, I have read only Kobo Abe's most famous novel "The Woman in the Dunes" quite a few years ago, I have always kept (some of) the author's books nearby as they seemed to be precisely the kind of novel that appeals to me - "interesting" would be the short hand, though the author's style (and the translation of course) also needs to match my sensibilities. Here is the blurb:

"Like an elegantly chilling postscript to The Metamorphosis, this classic of postwar Japanese literature describes a bizarre physical transformation that exposes the duplicities of an entire world. The narrator is a scientist hideously deformed in a laboratory accident–a man who has lost his face and, with it, his connection to other people. Even his wife is now repulsed by him.

His only entry back into the world is to create a mask so perfect as to be undetectable. But soon he finds that such a mask is more than a disguise: it is an alternate self–a self that is capable of anything. A remorseless meditation on nature, identity and the social contract, The Face of Another is an intellectual horror story of the highest order."

OVERVIEW/ANALYSIS: The Face of Another is a difficult novel to talk about in a "review style" post and it is one of those books that really benefit from a deeper critical analysis that presumes one is familiar with it. Its main idea is simple - a scientist gets burned by liquid nitrogen and his face becomes ruined so he starts trying to get an artificial one as close as possible to lifelike; in the process he splits his identity in two - the "original" and the "mask" and they start to compete for the affections of his wife.

However the novel is much, much more than that, as it is a meditation on identity, on what it means to be human, on what visual impressions - including skin color for example - mean and how they ultimately shape our destiny.

"Of course, I intended to try. Rather than run aimlessly away, it would be best, I suppose, to face the situation squarely and get used to it once and for all. If I made nothing of it, then surely no one else would either. With this thought in mind, and of my own accord, I had made my face the subject of conversation at the Institute. I had compared myself, for example, to the masked monsters of television, deliberately exaggerated. I had stressed the advantages of seeing-without-being-seen—since my expression was inscrutable to others—and appeared amused by the whole thing. To accustom others to my face was the best short cut to getting used to it myself.

The stratagem seemed to work. I was then able to get along at the laboratory with no sense of constraint. There is more to those popular masked monsters, too, than appears; I began to understand why they turn up over and over again in comic books and on television. My mask itself—were it not for the scars underneath, spreading like webs—was comfortable enough. If covering our bodies with clothes represents a cultural step forward, there is no guarantee that in the future masks will not be taken equally for granted. Even now they are often used in important ceremonies and festivals. I do not quite know how to put it, but I wonder if a mask, being universal, enhances our relations with others more than does the naked face."

Structured as a three notebook tale told to his wife - and with lots of additional notes that have been added to the notebooks "later" and are generally written using italic, so adding to the sense of immediacy and authenticity - and a prologue that needs rereading at least once, when you get a feel for the book - the novel takes place in a Japanese city in the 1960's but outside of a few details - apartments, workplaces, transportation - and of course the available technology/knowledge about skin cells and the like, it is really timeless and place-less.

There are moments of utter brilliance and moments where you feel the book goes towards the deep end in self-pity and even madness; worth reading if only for the meditations on the subjects above - you will come with a deeper appreciation of how much our physical appearance defines us - but I found it a superb read overall and I highly recommend it.