Saturday, May 26, 2012

"Metropolitan" and "City on Fire" by Walter Jon Williams (Reviewed by Liviu Suciu)


OVERVIEW/ANALYSIS Metropolitan: Inspired by the digital recent reissue (as noted on FBC HERE) I read again, probably for the 5th time, the Metropolitan/City on Fire sequence. The one distinction this time was that I read the two books the first time after a heavy dose of fantasy reading from 2008-2011 when to a large extent I exhausted my interest in most of the genre the way I did with mysteries 20+ years ago.
 
Metropolitan was still fresh and interesting and did not read like a fantasy of 2012 or of 1995 for that matter, showing once again how much ground is to explore if people - both writers and readers - would stay away from the usual rut of faux-medieval or vampires/zombies somehow thrown together with modern tech, while still having superb worldbuilding, great characters etc...

And despite the author's insistence on calling Metropolitan a fantasy, its mindset is still sfnal and that imho is the fundamental divide between the two - fantasy - conservative, pre-modern based on the superiority of blood and lineage "you are who you are born" though of course you may just be of noble blood in disguise, sf - progressive, modern, based on the superiority of human intellect expressed in science and technology, "you are what you can achieve".

Back to the book, this is the story of a World City, though still racially diverse and divided into many states, and of Aiah a 25 year old born and living in Jasper, an ordinary bureaucratic and stale state of the World City, but being from the Barkazil, a despised stateless minority usually relegated to the dole and petty thieving. Aiah managed to improve somewhat her Barkazil lot and continue school, work for the government - still better than the dole after all - have a Jasperii lover with whom she bought an upper middle class apartment in a new tower...

Having a talent for plasma work - the magical source of power of the universe -  Aiah could not continue her studies at a more advanced level, but at least after a few years of field work, she now works as the most junior investigator for the Authority, the government department in charge of regulating the plasma use - metered like electricity in our world, but with pockets of "wild plasma" here and there plus with the usual thefts and contraband.

When an outbreak of wild plasma manifests itself spectacularly and deadly, the Authority brass decides it must come from some usually troublesome area, but Rohder, an old hand at dealing with plasma with great seniority though now in a sort of "golden parachute exile" in the Authority, feels differently and with whatever clout he still has, manages to get the brass to appoint someone to investigate - and of course it is the most junior and unimportant investigator, namely Aiah.


One problem is that the place (an abandoned factory and train terminal) is in a slum, but one populated in part by the racist "Jaasperi nation" gangs where Aiah's brown skin is unwelcome; still with two Authority field hands at her back - the sort of blue collar workers of the time as opposed to the white collar Aiah - and despite the usual heckling, snubbing (eg Aiah is refused food from a stall under some silly pretexts), Aiah does her duty and by chance discovers a very powerful source of wild plasma in the area, luckily when her helpers were somewhere away.

Thinking hard about the future and pressed by financial troubles as her fiancee Gil is on an assignment away which keeps his cash flow under stress so his contribution toward the mortgage etc are less than expected, Aiah decides to conceal her discovery and try and sell it.

In the meantime Jaasper is also home to exiled former Metropolitan (President/Supreme Leader etc) of half way around the world Cheloki, one Constantine - black skinned racially as it happens, opposed to the white Jaasperi and the brown Barkazil - plasma wizard, very rich, but whose semi-idealistic New City movement scared Cheloki's conservative neighbors so badly that they ganged up, invaded and deposed Constantine some decades ago.

Living a seemingly idle life of a rich retired magnate, Constantine still has some devoted followers, some from idealism as the New City ideology is still very appealing to many, especially the poor and downtrodden, though as we see later it is mostly a form of our democratic capitalism btw, some from habit, some like his right hand woman, lover and confidant with a pet black panther, Sorya, from believing Constantine still not washed out and a ticket to power.

And while secretly sponsoring shows that keep his name in the "news" and plotting with various disaffected factions in various states, Constantine is still mostly washed out until of course Aiah comes around with her offer (money for the wild plasma).

And as a very corrupt state Caraqui, not quite near Jaasper as even Constantine is wise enough to know that he cannot *** off the Jaasperi who give him asylum how much he despises their fossilized bureaucratic government, is teetering on the brink of revolution, Aiah's plasma may make all the difference between another chance at the New City and final defeat.

And of course Aiah's part idealism, part cynical realism is caught with Constantine's charisma and his offer to teach her "real" plasma use, so Aiah starts becoming involved in the "great game" too; not to speak that despite their ineptness, the Jasperi police cannot ignore the obvious at some point (running a plasma war machine from Jaasper tends to be spectacular) so Aiah may find herself into trouble there too.

 
All in all just a masterpiece and with a great ending to boot; lots of interesting secondary characters (Barkazil mostly as in Aiah's extended family, but also the Caraqui, some quite strange as the city is watery so has sentient dolphins, and genetically deformed humans among its inhabitants), though Aiah, Constantine and Soryah in her occasional appearances just shine.

After all there is a reason I read this book 4-5 times so far and I expect I will read it a few more times..

*************************************************************************


OVERVIEW/ANALYSIS City on Fire:

As I do not want to spoil too many things just a few notes.

City on Fire starts where Metropolitan ends with Aiah taking Constantine's offer and arriving in liberated Caraqui - though not a native, Constantine is one of the new leaders though seemingly of less importance than the officer leading the coup and the slimy cleric who turned his cloak and supported the revolution - where somewhat to her surprise she is appointed head of the new "Plasma Recovery" department under minister Constantine.

Using the skills learned in Jaasper and finally having carte-blanche to bust the local mafia and the plasma black market in the name of the revolution, Aiah soon shines in her job and slowly she becomes a magnet for Barkazil from all over, while deftly navigating the treacherous waters of Caraqui where the various groups compete for power

But the revolution is under peril as the survivors of the former kleptocracy and the dons of the busted mafia convince the neighbors that they are better back in power, while internally the conflicts between the various Caraqui interests also threaten its survival and of Aiah, Constantine etc too.

Constantine's New City ideals are still powerful and together with Soryah's skilled intrigue capabilities and Aiah's recovered reserves of plasma and her new found fame as some mercenary Barkazil brigades are renowned all over the World City and they may just follow a Barkazil "world figure" hoping to recover their native state now under foreign protector-ship may make the difference between death or survival; on the other hand Constantine has his dark secrets, not to speak that there is space for only one powerful woman in his life and Soryah does not like competition...

City on Fire is even better in some ways than Metropolitan and I so wish the author will write more as the ending while at a decent point and not on a cliffhanger, with its main threads solved, promises so much about what was supposed to come before the series' untimely cancellation.

 

Thursday, May 24, 2012

Blood Of The Underworld by David Dalglish (Reviewed by Mihir Wanchoo)


Order Blood Of The Underworld HERE
Read the First Two Chapters HERE
Read FBC's Review of “A Dance of Cloaks” 
Read FBC's Review of “A Dance of Blades” 
Read FBC’s Review of “A Dance of Death” 
Read FBC’s Interview with David Dalglish
AUTHOR INFORMATION: David Dalglish was born in Missouri and graduated from Missouri Southern State University with a degree in Mathematics. He is the author of the popular Half Orcs series, The Shadowdance trilogy and The Paladins series. He has previously worked as a manager and as a para-professional for Spec-Ed students. He lives with his wife and children in Missouri. 

OFFICIAL SYNOPSIS:You told me I would inspire fear from the shadows, yet you would be the light to banish all shadows. You still can. Be stronger than them. Be stronger than any of us. Prove to Veldaren that you can stand against the darkness, without mask or cloak, and live.” 

Haern is the King’s Watcher, born an assassin only to become the city of Veldaren’s protector against the thief guilds. When Lord Victor Kane attacks the city, determined to stamp out the thief guilds in revenge for past crimes, foreign guilds pour into the city to take advantage of the chaos in an attempt to overthrow the current lords of the underworld. 

And when a mysterious killer known as the Widow begins mutilating thieves, paranoia spreads until it engulfs the city. Haern knows someone is behind the turmoil, pulling strings, and if he doesn’t find out who, and soon, his beloved city will burn. 

CLASSIFICATION: The Watcher’s Blade trilogy is a dark, gritty, character-driven fantasy trilogy in the vein of works by David Gemmell, Brent Weeks and Peter V. Brett.

FORMAT/INFO: Blood Of The Underworld is 304 pages divided over thirty-one numbered chapters with a prologue, epilogue and an Author note. Narration is in the third person via several different point-of-views, both major and supporting characters, including the main protagonist Haern the Watcher, Alyssa Gemcroft, Zusa, Lord Victor Kane, Guild lord Thren Felhorn, Grayson of Mordeina, Antonil Deathmask, Nathaniel Gemcroft etc. Blood Of The Underworld is the first volume of the Watcher’s Blade trilogy.

The trilogy itself is set in the same world as The Shadowdance trilogy, and is the sequel to that series with mild spoilers within. May 9, 2012 marked the independent publication of Blood Of The Underworld in multiple E-book formats. Cover art is provided by Peter Ortiz.

ANALYSIS: David Dalglish’s previous trilogy was a revelation for me as it introduced me to the author as well his dynamic storytelling prowess. The series was supposed to focus on Haern’s origins and explore his need to become the person he is currently. It was a dark and unforgiving series that was tough on all of its characters, ruthless in character deaths and perhaps the author’s homage to  Batman's beginnings. The final book however didn’t complete the arc as set by the first book and the author has spoken a bit about it in this guest post.

The trappings of the trilogy was that a son rebelled against his father’s wishes and that was the underpinning that powered the main character as well as galvanized the readers as they wanted to see how it would end. While the original trilogy didn’t exactly end on that note, the current trilogy plays out to that very end. It also serves as a bridge between the Half-Orc series, the Shadowdance trilogy as well as the Paladin series. The main theater of action would be set in the city of Veldaren primarily and also focusing on other regions as per the story dictates. The book also aims to bring together all the characters and infuse the story to make it an explosive one.

The story begins the king of Veldaren receiving a letter of intent from Victor Kane, lord of a nearby region who wishes to accomplish a task that no one has attempted so far. He wishes to rid the city of all its thieves, murderers and other scum. To do so, he has brought his own private army and is ready to start his mission. Alyssa Gemcroft has recovered from the events of the city of Angelport nearly two years ago and she has learnt to be more cunning while also growing in her economic strength. She however is unprepared for a new surprise that awaits her in mansion of a fellow trifect member. Zusa is resilient and has constantly been the pillar of support for Alyssa in many ways however she will have to face demons and problems from her past as well and this time it might just be enough to break her. Then there’s Thren Felhorn, the greatest and most feared guild lord who is still trying to regain his lost glory and lastly there’s the Widow who is going around on a killing spree motivated by reasons stranger than most men can fathom.

Thus begins the first volume of the Watcher’s Blade trilogy which attempts to fuse the character driven storyline of its preceding trilogy with the epic action and intrigue of the sequel Half-orc series. This powder-keg is all set to explode and explode it does, in a spectacularly brutal onslaught. The prologue opens with a riddle and a murder and then quickly the plot threads and characters are introduced with enough of a background presented for all new readers to get caught up adequately and for returning readers to whet their memories. The highlights of David’s previous books are spectacularly present, beginning with rapid pace of the story, multiple plot lines, intriguing characterization and sharp plot twists. The best part however, is the characterization beginning with Haern and his troubled past, this series is basically about the confrontation that has been ordained between Haern and his father. The seeds for the confrontation were laced in the first two books of the Shadowdance trilogy and it’s in this book can the reader see them coming to fruition. There’s also Alyssa, Zusa, Thren, Victor Kane and a few other characters who each have their own plans and work towards their own ends. The equally awesome part is that while the series is about the Watcher, in this book the focus is shared by many characters each of whom can be confidently considered as a compelling protagonist or antagonist (depending on how you view their story).

This multifaceted character approach makes this story come alive tremendously as the reader is kept guessing on all fronts and something is happening in each POV character thread to keep the plot tension high strung. In this regards, the plot confusion and the thriller aspect of the story really shine through. The pace of the book also seems to make the book more akin to a thriller and this is another plus point in regards to the book. I can’t say that this book has no drawbacks to it but for the type of story I like to read, it had everything; tense mystery, believable characterization, epic action and lastly a strong authorial grasp on the story. All of this along with the book’s humor that is present but in minute amounts and is character specific which makes this story a fantastic read. 

Lastly while this is a sequel trilogy, newer readers will have no problems jumping in and picking up the story, and for the older, returning readers this book is a crossroads of all the three previously written series thereby giving them a big crossover high. The author has commented upon this aspect in the afterword and it shows in the book as we come across a wide array of characters that confabulate and conflict to give the readers a rousing tale. The plot threads come to a reasonable conclusion at the end of this book and the reader is left with a big hint of the story direction of the next book Blood Of The Father.

CONCLUSION: David Dalglish is an anomaly of sorts, his books while seeming generic are turning out to be a unique combination of dark fantasy and exciting thriller modes, thereby giving the readers a potent story and making sure they are left wanting more. I was hooked with the previous trilogy and this one does more of the same in spades. If you truly wish to discover a fantastic new author, give this book a try or if you want, start with book I of the Shadowdance trilogy and experience the origin story as its unfolds epically.

Wednesday, May 23, 2012

"More Detail on Three Upcoming Novels of the Highest Interest: Lawrence Norfolk, K.J. Parker and Peter Hamilton" (by Liviu Suciu)

 A little bit to my surprise I have recently been extremely lucky to obtain advance reading copies of three of my most awaited books for 2012 and as they cover the 3 areas of English language fiction that is of most interest to me today - sumptuous historical fiction, secondary world fantasy that is closer to historical fiction than to traditional lots of magic genre and modern space opera - I decided to talk a little about each below with reviews to come later in the year.

*********************************************************


In September, Lawrence Norfolk returns to fiction after many years with John Saturnall's Feast. I read this book a few weeks ago, essentially the day I obtained my e-arc and I talked a little about both the author and the book on Goodreads. For now I will just present my final point from that "raw thoughts" mini-review.

"The novel is also very visual - I was picturing quite a lot of it as a Peter Greenaway movie, more precisely the mixture of the period of The Draughtsman's Contract and the feasting of The Cook, the Thief, His Wife and Her Lover - both movies that I've watched a number of times. Though now the cook is the lover too and he does not end on the dinner table..."

Since my first two readings, the novel kept staying with me and  I plan at least one more end-to-end read later this year. The blurb below is reasonably accurate though it does not convey the richness of the book.

"A beautiful, rich and sensuous historical novel, John Saturnall’s Feast tells the story of a young orphan who becomes a kitchen boy at a manor house, and rises through the ranks to become the greatest Cook of his generation. It is a story of food, star-crossed lovers, ancient myths and one boy’s rise from outcast to hero.

Orphaned when his mother dies of starvation, having been cast out of her village as a witch, John is taken in at the kitchens at Buckland Manor, where he quickly rises from kitchen-boy to Cook, and is known for his uniquely keen palate and natural cooking ability. However, he quickly gets on the wrong side of Lady Lucretia, the aristocratic daughter of the Lord of the Manor. In order to inherit the estate, Lucretia must wed, but her fiancé is an arrogant buffoon. When Lucretia takes on a vow of hunger until her father calls off her engagement to her insipid husband-to-be, it falls to John to try to cook her delicious foods that might tempt her to break her fast.

Reminiscent of
Wolf Hall and Jonathan Strange & Mr. Norrell, John Saturnall’s Feast is a brilliant work and a delight for all the senses."

 *********************************************************

 In July, K.J. Parker's novel Sharps will be out and as two days ago I have just received a bound galley which I plan to enjoy with my usual "read 100 pages, reread them, read another 100, then read the first 200 again" that KJ Parker's novels deserve in order to tease all their subtleties before being hit with the expected hammer of unbelievable twists and turns, I can only say that so far it is just vintage author with the darkly ironic view of human nature and the generic world building and naming conventions familiar from earlier novels.

For a discussion of K.J. Parker's earlier work here on FBC you can look at my review of The Hammer and the links there - to date I have done 7 review posts about the author's work. The blurb below seems accurate from what I see.

"For the first time in nearly forty years, an uneasy truce has been called between two neighbouring kingdoms. The war has been long and brutal, fought over the usual things: resources, land, money...

Now, there is a chance for peace. Diplomatic talks have begun and with them, the games. Two teams of fencers represent their nations at this pivotal moment.

When the future of the world lies balanced on the point of a rapier, one misstep could mean ruin for all. Human nature being what it is, does peace really have a chance?"

 *********************************************************


                                               (click to enlarge for full enjoyment)

In  September (UK), Peter Hamilton's new standalone mammoth space opera Great North Road will be published and just yesterday a limited edition trade paperback review copy that stands at 1087 (!!) pages arrived in my mailbox. While the text is nicely large so the published book may stand at somewhat less, it still should clock close to 1000 pages. 

 I have only browsed a few pages so far but the book seems vintage Hamilton with the usual exuberant, sense of wonder style that justly made him one of the premier voices of today's SF. I will present the blurb below, while the image above should be seen at full resolution (click on it) for full enjoyment as it conveys what one expects from a P. F. Hamilton novel!

"In Newcastle-upon-Tyne, AD 2142, Detective Sidney Hurst attends a brutal murder scene. The victim is one of the wealthy North family clones – but none have been reported missing. And the crime’s most disturbing aspect is how the victim was killed. Twenty years ago, a North clone billionaire and his household were horrifically murdered in exactly the same manner, on the tropical planet of St Libra. But if the murderer is still at large, was Angela Tramelo wrongly convicted? Tough and confident, she never waivered under interrogation – claiming she alone survived an alien attack. But there is no animal life on St Libra. Investigating this alien threat becomes the Human Defence Agency’s top priority. The bio-fuel flowing from St Libra is the lifeblood of Earth’s economy and must be secured. So a vast expedition is mounted via the Newcastle gateway, and teams of engineers, support personnel and xenobiologists are dispatched to the planet. Along with their technical advisor, grudgingly released from prison, Angela Tramelo. But the expedition is cut off, deep within St Libra’s rainforests. Then the murders begin. Someone or something is picking off the team one by one. Angela insists it’s the alien, but her new colleagues aren’t so sure. Maybe she did see an alien, or maybe she has other reasons for being on St Libra "



Edit: A reader using Internet Explorer noticed that earlier versions of the covers here and in a few other posts were not displayed in that browser and I looked into it and fixed the problem. I think there are some compatibility problems between the new Blogger interface and IE that led to that, but as I use Mozilla and have not been using IE for many years now, please notify us with a comment or email of any such display problems in any browser you use.


Thank you!

"No Going Back" by Mark Van Name (Reviewed by Liviu Suciu)



OVERVIEW/ANALYSIS Mark Van Name's debut "One Jump Ahead" introduced Jon Moore mercenary ex-soldier and a man of many secrets that are so dangerous that he must live alone and make no attachments, and partner Lobo, personal AI warship (PCAV) mooning as park statue/exhibition on an obscure world, an AI ship of many secrets of its own, secrets that would not do for anyone to know either.

"No Going Back" is the 5th Jon and Lobo adventure and it came two years after the previous installment rather than at the one year schedule of the first 4. The novel returned to the more classic adventure feel of the first three books and while the darker and weightier Children No More was very good, I think the original tone works better especially now that the author has it down pitch perfect.

What makes No Going Back stand out is precisely what the title literally means, namely that from now on it is no going back to the older days as the series finds here focus and a narrative pillar. The super-competent hero with extraordinary powers trope revived so well in this series gets one more dimension, a clear goal and I am really interested to see how the author handles it.

Of course Jon and Lobo are such great characters as the first person narration of which Lobo gets a little share here in this book, has worked so well to have established and any new series installment is still a huge asap, get the e-arc on the spot and read it immediately notwithstanding how many other books I have in the queue.

As style goes, the novel is a gripping read from the first pages when Jon is in the process of trying to crash a party of rich old pedophiles - party where 10 children are auctioned off - on an obscure planet with great natural beauty but harsh physical characteristics. In the link above you can read the first 15 chapters on Baen's site and see how smooth everything goes.

 The structure of No Going Back is a bit different from its predecessors, with chapters numbered "x days from the end" mixed with the 100+ year old backstory that continues Jon's memories from long ago, now from the time in his youth immediately after escaping the hell of his native - now quarantined - planet when he was not understanding his powers and trying to get the time needed to do so, while Lobo's interludes offer more insight into the AI's special human-like personality, the why's of which having been set-up in "Overthrowing Heaven".

 No Going Back functions well as a standalone as all earlier books' story lines are recounted briefly here and there, while the salient facts about Jon and Lobo are also gone through, so you can start delving in the saga here, though from the way things end, I suspect the next volumes will become much more tightly connected in both plot and secondary characters.

As my usual, positional rankings go, this series is in my top tier, get/read asap any installment, while No Going Back is probably the best executed to date, though Children No More was "more serious". The clear series focus established here should only add to the pluses in the future when new Jon and Lobo adventures will appear.

Overall No Going Back still remains a pretty classical
space adventure sf novel with modern style and sensibilities and with the the generally expected stuff implied by such, very well done but nothing previously not seen and it is one of my highly recommended novels of 2012.

 

Monday, May 21, 2012

WORLDWIDE GIVEAWAY: Win an Omnibus Edition of David Dalglish's Shadowdance Trilogy



Read FBC's Review of “A Dance of Cloaks” 
Read FBC's Review of “A Dance of Blades” 
Read FBC’s Review of “A Dance of Death” 
Read FBC’s Interview with David Dalglish
Read David Dalglish's "Sequels and Satisfying Endings"

In support of the May 9, 2012 publication of David Dalglish’s release “Blood Of The Underworld”— Fantasy Book Critic is giving away one copy of the Omnibus edition of "The ShadowDance Trilogy" courtesy of the author himself!!! The winner will have the choice to get either a trade paperback or an e-book copy of the omnibus.




To enter, please send an email to fbcgiveaway@gmail.com with your Name, Mailing Address, and the subject: SHADOWDANCE. Giveaway has ended. Thank you for entering and Good Luck!

GIVEAWAY RULES:
1) Open to Anyone WORLDWIDE.
2) Only One Entry Per Household (Multiple entries will be disqualified). (
3) Must Enter Valid Email Address, Mailing Address + Name.
4) No Purchase Necessary.
5) Giveaway has ended.
6) Winner Will Be Randomly Selected and Notified By Email.
7) Personal Information Will Only Be Used In Mailing Out the book To the Winner.