“Demon Squad: Resurrection” by Tim Marquitz (Reviewed by Mihir Wanchoo)

Official Tim Marquitz Website

Order “Demon Squad: Resurrection” HERE

Read the First Chapter HERE

Read FBC’s Review of “Armageddon Bound”

Read FBC’s Interview with Tim Marquitz

AUTHOR INFORMATION: Tim Marquitz is the author of Armageddon Bound, the first book in the Demon Squad series, and the Sepulchral Earth short stories. He is also an editor, a heavy metal aficionado, a Mixed Martial Arts fan, and is also a member of the Live Action Role Playing organization. When he’s not busy writing dark stories which catch his imagination he also manages to go about his day job. Tim lives in El Paso, Texas with his wonderful family.

PLOT SUMMARY: Armageddon averted, the world returns to business as usual. Unfortunately for Frank “Triggaltheron” Trigg, business as usual sucks.

His night out interrupted by a horde of kidnapping zombies, what could possibly be worse? The resurrection of the Anti-Christ, that’s what!!!

Caught in the middle of a supernatural pissing match between the Devil’s wife, a legion of undead, and an overachieving necromancer, Frank must survive long enough to stop Hell from being unleashed upon humanity . . . again...

FORMAT/INFO: Demon Squad: Resurrection is 252 pages long divided over twenty-three chapters. Narration is in the first-person, exclusively via the protagonist Frank “Triggaltheron” Trigg. Resurrection is the second book in the Demon Squad series after Armageddon Bound and can be read as a standalone novel. However, there are more than a few references to the first book, so it’s not advisable to start the series at this point. June 1, 2011 markes the Trade Paperback and e-book publication of Demon Squad: Resurrection via Damnation Books. Cover art is provided by Jessica Lucero.

ANALYSIS: Tim Marquitz’s debut novel, Armageddon Bound, introduced the world to Frank Trigg—the ex-Antichrist, Satan’s Nephew, and all-round snarkophile. I read the book with almost no expectations and was rewarded with a darkly humorous and action-packed story, which ended up being one of my favorite debuts in 2009. So when I got the chance to read the sequel, I was very excited. Of course, this time around, my expectations were much higher as I wanted to see more of the world created by Tim Marquitz and how life was treating Frank Trigg.

Tim Marquitz opens Resurrection with a zingy quote, which is one of the most hilarious ones I have ever read. The book itself is set roughly two months after the events of Armageddon Bound and finds Frank interrupted by a group of zombies just as he’s getting all cozy with a lady friend. After the zombie debacle, Frank meets with Katon—the vampiric DRAC enforcer—to try and figure out where the zombies came from. Before the night is over, Frank also receives a visit from Veronica—a succubus and his ex-wife—with a message from Balaath. Balaath wants Frank to repay his debt by killing a masked figure who’s already defeated Marcus D’anatello and Alexander Poe—Balaath’s top enforcers. Faced with no other option, Frank agrees to take care of it, but not before being saddled with a companion who’s more adversarial than required. Frank’s troubles are compounded by surreptitiously revealed enemies, unknown agendas, and unanswered questions including the masked figure who is trying to resurrect the Antichrist Longinus; Satan’s ex-wife/companion who wants something from Frank; Balaath with his own dark game; and the mystery of Frank’s origins, his mother’s death, and Frank’s sire...

Despite my high expectations, Tim Marquitz does not disappoint with his sophomore effort. Not only has the author’s writing significantly improved, but the action is non-stop and the book’s humor has been jacked up led by Frank’s sarcastic monologues and witty dialogue. At the same time, Tim Marquitz delves deeper into Frank’s mysterious background, while the cover art is much more eye-pleasing. Lastly, the author seems to have learned from one of his idols—Jim Butcher—by ending Resurrection with a compelling moment that will leave readers anxiously awaiting the third Demon Squad installment.

Negatively, the juxtaposition of the magical with the mundane remains a bit over-the-top and not always explained properly, but the author has taken some pains in Resurrection to flesh out the world and its rules. The story and characters are not very well-nuanced or developed, but that is expected in a book where action and quick pacing take precedence.

CONCLUSION: With improved writing coupled with non-stop action and wildly witty character dialogue and zingy one-liners, Tim Marquitz proves that he’s no one-shot wonder in “Demon Squad: Resurrection”. So if you loved Armageddon Bound, you won’t be able to keep yourself from finishing Resurrection in a single sitting! For those readers who weren’t so impressed by Tim Marquitz’s debut, definitely give the sequel a chance. You might be pleasantly surprised. For myself, “Demon Squad: Resurrection” is a book that will certainly be included in my Best of 2011 list...

“Robopocalypse” by Daniel H. Wilson (Reviewed by Robert Thompson)

Official Daniel H. Wilson Website

Official Robopocalypse Website

Order “Robopocalypse” HERE (US) + HERE (UK)

Read An Excerpt HERE

AUTHOR INFORMATION: Daniel H. Wilson earned a Ph.D. in robotics from Carnegie Mellon University. He is the author of such nonfiction works as How to Survive a Robot Uprising and How to Build a Robot Army, both of which have been optioned for film adaptation. His fiction work includes his debut novel, A Boy and His Bot, Robopocalypse, and the forthcoming novel, AMP.

PLOT SUMMARY: In the near future, at a moment no one will notice, all the dazzling technology that runs our world will unite and turn against us. Taking on the persona of a shy human boy, a childlike but massively powerful artificial intelligence known as Archos comes online and assumes control over the global network of machines that regulate everything from transportation to utilities, defense and communication.

In the months leading up to this, sporadic glitches are noticed by a handful of unconnected humans—a single mother disconcerted by her daughter’s menacing “smart” toys, a lonely Japanese bachelor who is victimized by his domestic robot companion, an isolated U.S. soldier who witnesses a ‘pacification unit’ go haywire—but most are unaware of the growing rebellion until it is too late. When the Robot War ignites—at a moment known later as Zero Hour—humankind will be both decimated and, possibly, for the first time in history, united...

CLASSIFICATION: Robopocalypse is a near-future, apocalyptic thriller about a robot uprising written in the style of Max Brooks’ World War Z. Recommended for fans of Terminator, Isaac Asimov, Philip K. Dick, and apocalyptic/post-apocalyptic fiction...

FORMAT/INFO: Robopocalypse is 347 pages long divided over a Briefing, five titled Parts, thirty-four chapters, and a Debriefing. Each chapter is titled, with a quote from a character, and comments by Cormac Wallace at the beginning and end of each chapter. Narration varies between first-person and third person via a cast that includes Cormac Wallace, the Perez family, Lonnie Wayne Blanton & Paul Blanton, Takeo Nomura, Marcus Johnson, and Nine Oh Two. Robopocalypse is self-contained, but the ending leaves room for a sequel or two. June 7, 2011 marks the North American Hardcover publication of Robopocalypse via Doubleday. The UK version will be published on June 9, 2011 via Simon & Schuster.

ANALYSIS: When I first heard of Robopocalypse, I immediately thought of Terminator and Isaac Asimov’s I, Robot, which definitely appealed to me, but what really convinced me to read Daniel H. Wilson’s novel was learning that Steven Spielberg—one of my favorite filmmakers of all time—was directing the movie adaptation. So, I had to see for myself why Mr. Spielberg would attach himself to a book that wasn’t even finished at the time of his commitment. After reading Robopocalypse, I now understand why Steven Spielberg would want to direct a movie based on the material found within, but the book itself is a disappointment...

Robopocalypse opens with a group of human resistance fighters—survivors of the New War—discovering a black cube containing a meticulous history of the robot uprising: how and why it started, how the robots attacked humanity, and how humanity suffered and fought back. The information contained in this ‘hero archive’, is translated and committed to text by Cormac Wallace, leader of the Brightboy squad.

What follows is a series of vignettes in the vein of Max Brooks’ World War Z describing events from Archos’ awakening and Zero Hour all the way to the end of the New War. Unlike World War Z, the vignettes in Robopocalypse mainly follow a core group of characters which includes Congresswoman Laura Perez and her children, Mathilda and Nolan; Officer Lonnie Wayne Blanton and his son Paul; Takeo Nomura; a hacker named Lurker; Marcus Johnson and his wife Dawn; a freeborn robot who calls itself Nine Oh Two; and Cormac Wallace himself. Mostly, these vignettes are related in the first or third-person, but occasionally the author gets creative and uses a different method like transcribing a conversation between two air traffic controllers, describing footage captured through webcams and CCTV cameras, and an audio diary.

Stylistically, these vignettes are a great way to cover a lot of story in a short amount of time, which is exactly what Robopocalypse accomplishes. Unfortunately, the author makes a number of questionable decisions along the way, like limiting the story’s range (Japan, London, Afghanistan, Alaska, Boston, New York City, Oklahoma) and cast of characters to such a narrow scale when the world is so large and the people so diverse. Personally, I would love to have seen more of how different people around the globe were handling the uprising and fighting back. Then again, I don’t believe Daniel H. Wilson possesses the writing chops to handle such ambitious storytelling in the first place. Even with the book concentrating on a core group of characters, it’s nearly impossible to connect with anyone or care about what happens to someone because of their lack of depth and bland personalities. This problem is magnified tenfold when the author inexplicably starts writing each vignette from the first-person, in narrative voices that sound largely the same despite the characters’ different ages and cultural backgrounds. Nine Oh Two is an exception, but the freeborn robot doesn’t show up until the novel is almost over, while Archos is arguably the most interesting character in Robopocalypse, except the AI hardly appears in the book. Also, there are numerous inconsistencies in the novel, like Mathilda who becomes ‘people-blind’—supposedly only sees people as heat signatures and muscles—but can still tell if someone is black or handsome.

Trying to keep the book commercialized is another area where Robopocalypse suffers. There are several instances—Baby-Comes-Alive, two planes headed on a collision course, people losing their humanity—where the author could have written scenes that would have haunted the reader for years, but instead he holds back. These scenes are still chilling, but lack the gut-wrenching impact found in Cormac McCarthy’s The Road, The Walking Dead, World War Z, The Passage and countless other superior apocalyptic/post-apocalyptic fiction. Meanwhile, for someone who has a  Ph.D. in robotics, there is surprisingly very little science in Robopocalypse. The lack of science and technobabble certainly makes the book more accessible to readers, but Daniel H. Wilson’s expertise could have added a layer of realism that was missing in the novel, while expanding on a number of interesting concepts—Archos’ goals for humanity, modified humans, a biological research station, the unique abilities Mathilda Perez acquires, freeborn robots—that were introduced but never fully developed.

Lastly, I wish Daniel H. Wilson had been more creative with his book. While we get to see toys, cars, airplanes, elevators, domestic robots and military robots turn against humankind, the author could have done so much more, especially considering how big a role technology plays in our lives. Additionally, while some of the robots that Daniel H. Wilson comes up with are inventive like the safety & pacification unit (SAP) used in Afghanistan, explosive hexapods (stumpers), robots than can animate corpses, and pluggers, most of the ideas—and themes—found in Robopocalypse are ‘borrowed’ from other sources. For instance, not only did I think of Terminator, Isaac Asimov and World War Z when reading the novel, but The Matrix, 9, Philip K. Dick and numerous other apocalyptic/post-apocalyptic movies and books also came to mind.

On the plus side, Robopocalypse is a very fast-paced thrill ride, full of entertaining moments that are easy to visualize and will translate smoothly to the big screen. The “Phreak” and “Demolition” chapters in particular, are two scenes out of many that I can’t wait to see brought to life.

CONCLUSION: Robopocalypse is a novel that never lives up to its potential because of subpar writing and execution. In fact, reading the book made me realize how much I miss Michael Crichton. In the hands of a pro like Michael Crichton, Robopocalypse could have been something special, an impossible-to-put-down blockbuster. Perhaps even a masterpiece. Instead, Robopocalypse is a glaring disappointment that falls well short of its hype and expectations. Still, I can’t wait for the movie, because this could be one of those rare instances where the adaptation is far superior to the source material...

“Soul Born” by Kevin James Breaux (Reviewed by Mihir Wanchoo)

Official Kevin James Breaux Website

Official Soul Born Website

Order “Soul Born” HERE

Read Sample Chapters HERE (PDF)

Read the e-Story “Soul Born Origins: Opal” HERE (PDF)

Watch the Book Trailer HERE

AUTHOR INFORMATION: Kevin James Breaux graduated from Temple University with a degree in Fine Arts and is currently working as an IT Professional and published artist with works in Zombie CSU and THEY BITE!. He has also done advertisement and merchandise design work for the first X-Men movie. Soul Born is his debut novel.

PLOT SUMMARY: All Opal wanted was to be respected as a wielder of magic, but her teachers passed her over time and time again. When a mysterious warlord embarks on a conquest to destroy the lands of Illyia, Opal seizes an opportunity to step out from the shadows of her instructors and take her rightful spot among them.

Tala, an alluring young elf, was banished from her tribe, hunted and nearly killed by the beasts that dwell in the deep forests, but more than anything else she is a survivor. Joining forces with an ancient elemental power, Tala finds herself in the center of an unrelenting human war.

Flesh like leather and bone as strong as steel Karn, a veteran from the first kingdom to fall, is fueled by vengeance. While pushing ever headlong into battle, Karn begins to recall memories of another life—ghosts that haunt his dreams.

Through death of soul, their world is born…

CLASSIFICATION: Soul Born is a dark epic fantasy novel reminiscent of the works of James Clemens, Paul S. Kemp & R.A. Salvatore.

FORMAT/INFO: Soul Born is 306 pages long divided over thirty-two titled chapters and a Prologue. Narration is in the third person via Opal, Karn and Tala Silverwolf. Soul Born is the opening volume in the Soul Born Saga with the book ending on a proper note. November 30, 2010 marked the Trade Paperback publication of Soul Born via Dark Quest Books. Cover art is provided by Dan Dos Santos.

ANALYSIS: Soul Born is a book that grabbed my attention because of an interesting blurb that described an “epic dark fantasy novel”, and a great cover by Dan Dos Santos. Of course, it’s what’s on the inside that really matters...

Soul Born is centered around three characters: Opal who is training to become more than just an ordinary mage; Karn, a warrior with a faulty memory who is supposed to fight the evil tyrant warlord, Mustaffa; and Tala Silverwolf, an elf banished from her tribe due to undisclosed reasons, and the key behind unlocking Karn’s past. Thankfully, the three main characters—with all of their motivations, plans and actions—are the main draw of the book. Opal in particular, is a shining star who I believe will be a major factor in the rest of the Soul Born Saga.

Story-wise, Soul Born is well plotted, with surprising twists and revelations, especially the ending and middle of the book where the author reveals certain details about Opal and Karn that will change the reader’s perception of them. There’s also the history of the mages which fuels a major plot point and the meaning behind ‘soul born’ laid bare, while the pacing never lets the reader rest. Prose meanwhile, is a bit bumpy at times, but it doesn’t derail the reading experience.

The major concerning factor for me were the coincidences throughout the book. For example, whenever a character needed to get out of a tight spot or needed a certain power or some other form of aid, the author provided it. This issue is what prevented me from enjoying the book as much as I thought I would.

CONCLUSION: Kevin J. Breaux‘s Soul Born is an interesting debut with some good points and some not-so-good points. Unfortunately, the novel was somewhat of a disappointment for me, but there is definitely potential there that could be further realized in the rest of the Soul Born Saga...

“Gideon’s Sword” by Douglas Preston and Lincoln Child (Reviewed by Mihir Wanchoo)

Official Douglas Preston & Lincoln Child Website

Order “Gideon’s Sword” HERE (US) + HERE (UK)

Read Sample Chapters HERE

AUTHOR INFORMATION: Douglas Preston and Lincoln Child are coauthors of the bestselling Pendergast novels, including Relic which was adapted into a film. Other novels by the coauthors include Mount Dragon, Riptide, Thunderhead, The Ice Limit and the new Gideon Crew series. Douglas Preston’s solo work includes the Wyman Ford novels and the bestselling nonfiction book, The Monster of Florence, which is being made into a major motion picture. Lincoln Child is a former book editor who has published four bestselling novels of his own.

PLOT SUMMARY: At the tender age of twelve, Gideon Crew witnessed his father, a world-class mathematician, accused of treason and gunned down.

At twenty-four, summoned to his dying mother's bedside, Gideon learned the truth: His father was framed and deliberately slaughtered. With her last breath, she begged her son to avenge him.

Now, with a new purpose in his life, he crafts a one-time mission of vengeance, aimed at the perpetrator of his father's destruction. His plan is meticulous, spectacular, and successful.

But from the shadows, someone is watching. A very powerful someone, who is impressed by Gideon's special skills. Someone who has need of just such a renegade.

For Gideon, this operation may be only the beginning . . .

                                                  
FORMAT/INFO: The e-ARC of Gideon’s Sword is 513 pages divided over seventy chapters and an Epilogue. Narration is in the third person, mostly via Gideon Crew, but there are a few other POVs. Gideon’s Sword features a standalone plot, but is the first volume in the Gideon Crew series. February 22, 2011 marked the North American Hardcover publication of Gideon’s Sword via Grand Central Publishing. The UK version (see below) was published on April 28, 2011 via Orion.

OVERVIEW/ANALYSIS: I’m a huge fan of Douglas Preston & Lincoln Child and look forward to reading their books every year, so Gideon’s Sword has been on my radar for a while, especially due to the hype surrounding the book—the film rights have already been snapped up by Paramount Pictures with Michael Bay set to produce. Gideon’s Sword is the start of a new series by the acclaimed duo, and offers a departure from the authors’ Pendergast series in the sense that it’s supposed to be more of a techno-thriller than horror and would allow them to show off their skills in a different fashion...

Gideon’s Sword begins in August 1988 with Gideon Crew, a young boy traveling with his mother who is taken by the police to a place where there’s a hostage situation in situ. There, they discover that the person in question is Gideon’s father Melvin. Things soon take a turn for the worse as Melvin is gunned down.

Eight years later, Gideon is summoned to his mother’s bedside who reveals a military secret which possibly caused his father’s death. She also names an individual who is to blame for this event and advises Gideon to take revenge against this person for their family’s misfortune. Gideon agrees and thus begins his life’s odyssey and the first part of the book.

General Chamblee Tucker is the alleged perpetrator who had a hand in Dr. Melvin Crew’s death and Gideon slowly and surely plans to bring about his downfall. Gideon does manage to locate a document which theoretically proves his father’s innocence and the way he goes about to prove Tucker’s mishandling is what forms the first part of the book. Events occur rapidly at this point and Gideon is shown to be a single minded person whose entire life focus is brought into fruition by his resolve, although an unknown but honorable person does provide a helping hand.

After the completion of his task which almost sees him killed, Gideon decides to settle down and try his hand at leading a normal life. However, things never go as planned as Gideon is approached by Eli Glinn—a character from the Pendergast novels who also appeared in The Ice Limit. Glinn reveals another secret about Gideon and then offers him a job that could benefit both the US government and Gideon himself. Apparently there’s a Chinese scientist on the run who possesses a secret technology which could change the world or be used as a weapon. Gideon’s mission is to intercept it. Thus begins a new chapter in Gideon’s life as he tries to acquire the secret technology whilst fighting assassins and different government agencies...

Gideon’s Sword can be viewed from two different levels: as a reader new to Douglas Preston and Lincoln Child, and longtime fans of the authors. As a first time reader, Gideon’s Sword is tremendously fun to read, with a fast-paced plot that never lets up and is engrossing from start to end despite a few improbable scenarios. Basically, this book works like a James Bond film. The action is thrilling and over-the-top, and while the hero’s success and survival is never in doubt, it’s still a blast to experience. Will no doubt translate wonderfully to a visual medium, which is probably why the film rights were sold so quickly :)

For a seasoned Preston-Child fan, Gideon’s Sword is vastly different from the Pendergast novels. For starters, the book is much faster-paced, while the protagonist in Gideon is as different from Pendergast as cats are from dogs. More specifically, Gideon Crew is his own man and does things by his own rules—akin more to the character of James Bond than George Smiley. Additionally, some of the scenarios might be a bit too over-the-top for seasoned readers to believe in, especially after having come to expect a certain amount of realism in the authors’ previous books. Other than that, the prose remains solid, although the plot can be predictable and doesn’t always do a good job of explaining things.

CONCLUSION: Personally, I read and enjoyed Gideon’s Sword because of its intriguing premise and main character, but the book heralds a different direction for Douglas Preston & Lincoln Child and it remains to be seen whether fans will follow the new series with the same vigor and vitality expressed for the Pendergast novels. My advice is keep an open mind and give yourself a chance to enjoy this entertaining thriller...

PRESS RELEASE: Excerpt from John-Henri Holmberg’s Essay on Stieg Larsson and Science Fiction...

John-Henri Holmberg, the decades-long friend of Stieg Larsson and the man who first broke the story about what is in the "missing" fourth book in the Millennium novels, reveals additional details in The Tattooed Girl: The Enigma of Stieg Larsson And the Secrets Behind the Most Compelling Thrillers of Our Time.

In this excerpt adapted from The Tattooed Girl, John-Henri Holmberg tells readers how science fiction influenced Stieg Larsson's personal values as well as those of the characters in the Millennium books:

Even in his early teens we know that Stieg's favorite author was Robert A. Heinlein, whom Stieg always mentioned as his first literary love. Heinlein was central to modern science fiction, introducing greater technical and social realism into sf (science fiction), and preferring to write about the near future rather than the distant one. Heinlein infused his stories with his fascination for knowledge and technology, as well as his commitment to human liberty. Stieg read and re-read Heinlein for most of his life, finding in him an irresistible story teller and a great literary inspiration…

For many years, Stieg tried writing science fiction. But the books that, in the end, made him famous are crime fiction novels. Nevertheless, influences from science fiction can be found in the Millennium novels. In Neal Stephenson's Snow Crash and The Diamond Age, the concept of a "distributed republic" is introduced; it means a "nation" where citizens and physical assets are scattered around the globe, often changing, in many loosely connected anarchist communities. This vision was adapted into the online “Hacker Republic” in the Millennium novels, where Lisbeth Salander is a “citizen.”

Other sf influences on the Millennium novels are less obvious but, I would argue, nevertheless important. Major themes-such as speculation about the future-may be missing but some subtle ones can be identified. Quite a few, I suspect, can be attributed to Robert A. Heinlein, who recurring theme is that a young and inexperienced protagonist learns from a sympathetic older and wiser character. I wouldn't be surprised if this inspired Stieg to provide Lisbeth Salander with her wise guardian Holger Palmgren, or for that matter Mikael Blomkvist with Henrik Vanger.

For John-Henri Holmberg's complete essays on Stieg Larsson as both a fan and a writer of science fiction, see "The Wellsprings of His Imagination," Chapter 4 of The Tattooed Girl. The Tattooed Girl: The Enigma of Stieg Larsson And the Secrets Behind the Most Compelling Thrillers of Our Time by Dan Burstein, Arne de Keijzer & John-Henri Holmberg was published on May 10, 2011 via St. Martin’s Press.