Saturday, June 25, 2011

Winners of “The Watchers” Giveaway!!!

Congratulations to Jennifer Campbell (UK), Stuart Blakeley (Australia), Giada Mariani (Italy), Bobby Berry (Colorado), Christy Hawkes (Utah), Sue Rojo (New York), and Andrew Carter (UK) who were all randomly selected to win a SIGNED COPY of Jon Steele’s debut novel, “The Watchers”, courtesy of Bantam Press!!! “The Watchers” was released in the UK on June 9, 2011 and was reviewed by Fantasy Book Critic HERE.

Thursday, June 23, 2011

“Heaven’s Shadow” by David S. Goyer & Michael Cassutt (Reviewed by Robert Thompson)

Order “Heaven’s ShadowHERE (US) + HERE (UK)

ABOUT DAVID S. GOYER: David S. Goyer is a screenwriter, film director and comic book writer. His filmography includes Dark City, Blade, Batman Begins and The Dark Knight. He is currently working on The Dark Knight Rises and the upcoming Superman film, Man of Steel. Heaven’s Shadow is his first novel.

ABOUT MICHAEL CASSUTT: Michael Cassutt is a television producer, screenwriter and author. His TV work includes The Outer Limits, Eerie, Indiana, Beverly Hills 90210, and The Twilight Zone. His novels includes The Star Country, Dragon Season, Missing Man, Red Moon and the non-fiction book, Who’s Who in Space.

PLOT SYNOPSIS: It was sighted three years ago in the southern sky. An object over one hundred kilometers across, originating from the Octans constellation, on a trajectory for our sun. As the Near-Earth Object—dubbed “Keanu”—approaches, two manned vehicles race through almost half a million kilometers of space to be the first to reach its surface: NASA’s Destiny, originally designed for flights to the Moon and Mars, and the untested lunar ship Brahma, representing the Russian-Indian-Brazilian Coalition.

But when the competing missions both arrive on the contested entity, they find that Keanu is much more than a simple rock hurtling through space. It has been sent toward Earth for a reason...

FORMAT/INFO: Heaven’s Shadow is 416 pages long divided over five titled Parts, with each Part further divided by unnumbered & untitled chapters that feature brief quotes or excerpts from message boards, press releases, interviews, etc. Also includes a Dramatis Personae and sketches of the Brahma and Destiny-Venture shuttles. Narration is in the third person via numerous characters including Destiny-7 commander Zack Stewart, his teenage daughter Rachel, Zack’s girlfriend and fellow astronaut Tea Nowinski, and Harley Drake. Heaven’s Shadow ends at a point that is satisfactory, but the book is the first volume in a trilogy which will be followed by Heaven’s War (July 2012) and Heaven’s Fall.

July 5, 2011 marks the North American Hardcover publication of Heaven’s Shadow via Ace Books. The UK version (see below) will be published on July 15, 2011 via Tor UK. US cover art is provided by James Paick. NOTE: Warner Bros. has acquired the rights to the trilogy with the film adaptation of Heaven’s Shadow to be written and directed David S. Goyer.

ANALYSIS: It’s safe to say that David S. Goyer has had a successful career as a screenwriter. The Dark Knight alone is one of the highest grossing films of all time—and a personal favorite. Unfortunately, Goyer has not fared nearly as well in television, comic books and as a movie director.  So when I heard about Heaven’s ShadowDavid S. Goyer’s debut novel—I was instantly intrigued, but also a little wary. Thankfully, Heaven’s Shadow is worth the price of admission, delivering a blockbuster novel full of pulse-pounding thrills and epic fun. Throw in popcorn, soda and 3D glasses, and it’s almost like being at the movies.

Of course, Heaven’s Shadow is not a movie—at least not yet—it’s a book, and that’s where co-writer Michael Cassutt comes in. Besides having experience with television and screenwriting, Michael Cassutt has also written a number of novels, both fiction and non-fiction, as well as numerous short stories. That experience shows throughout Heaven’s Shadow in the form of crisp pacing, characters with engaging personalities and distinctive traits, accessible prose, and skillfully handled plotting highlighted by nearly non-stop tension and excitement. At the same time, characterization is not very in-depth—reminding me of characters you might find in a James Rollins or Michael Crichton novel—which is made worse by the large number of characters in the book, while the storytelling can be formulaic at times thanks to obvious foreshadowing—Yvonne’s personal preference kit (PPK)—and a Hollywood-like ending. That said, for a novel that is more commercial fiction than it is science fiction, Heaven’s Shadow is very well-written, especially when the book could have been nothing more than a glorified movie script.

Because of his writing experience, Michael Cassutt also possesses extensive knowledge regarding NASA and spaceflight, which is evident in the parts of Heaven’s Shadow that features NASA, astronauts, and other space-related applications. Science fiction elements meanwhile—including alien races (Architects, Sentries) and alien technology (Markers, the Factory, an environment that adapts to different species, etc.)—may be shallowly developed and familiar, especially for SF veterans, but it’s always exciting to see what new discoveries the crews of Destiny and Brahma uncover on Keanu. The highlight is a technology so far advanced that it seems like magic. This technology—which I won’t discuss in detail to prevent spoilers—is thought-provoking and provocative, and is the catalyst behind the best surprises and drama in the entire book. On the flipside, the purpose of the spacecraft is not revealed until the novel is almost over, but the sequels will no doubt cover this revelation—and the Reivers—in greater detail.

Overall, Heaven’s Shadow may favor style over substance, and the incomplete story may require commitment to a trilogy in order to reach the final payoff, but considering how much fun the book is to read, it’s hard to complain. In short, Heaven's Shadow is one of the most entertaining novels I've read this year, offering more bang for your buck than most big-budget movies that will be released this summer...

Wednesday, June 22, 2011

SPOTLIGHT: Book Country


Writing is a solitary practice, but revision requires feedback. Most aspiring authors send their manuscript to friends and family, others meet with a critique group, and some enroll in an MFA program.

In April 2011, Penguin Group USA launched Book Country, a website dedicated to genre fiction readers and writers. Focused on romance, fantasy, science fiction, mystery and thriller, Book Country helps new authors hone their craft as part of a genre fiction community.

Users upload their novels (or a portion of their novels) for peer review. Book Country’s unique genre map helps writers categorize their novels, and lets readers find books similar to ones they love, which they then read and provide detailed critiques. Book Country brings the peer feedback and community feel of a critique group, online.

Another key feature is discoverability. If you’re working on a novel, publishing professionals won’t see it until you begin sending out query letters. Book Country gives agents and editors a place to discover new talent; for this reason, many publishing professionals have already signed up. Book Country also allows avid readers and bloggers to discover budding talent and use their reading experience to offer helpful feedback.

As the world continues to shift online, Book Country creates a community that was once only available in metropolitan areas. Now, genre fiction authors all over the world can come together online to exchange feedback, engage in discussions, and have their work discovered.

For more information regarding Book Country, please view the Video Tutorial below or read the Official Press Release and FAQ:


OFFICIAL PRESS RELEASE:

On April 26, 2011, Book Country, LLC announced the public beta of a supportive genre fiction community that serves writers, readers and publishing professionals.

Focused on romance, fantasy, science fiction, thrillers, and mystery fiction purchases—which account for 58% of fiction purchases—Book Country is designed to help new authors hone their craft and get useful feedback on works in progress from avid readers and other writers. Book Country also offers publishing professionals such as agents and publishers a place to discover new voices.

Discoverability is a key component of the Book Country experience. Through great search and browse tools, including the groundbreaking Genre Map, visitors and members can find the books the books they love to read, from Police Procedurals to Medical Thrillers to Paranormal Romance, to Urban Fantasy or Steampunk.

Book Country is focused on building a community that is—and will remain—a free, creative supportive venue where writers and readers can give and receive constructive criticism, discover new and entertaining books, discuss and share tips and experiences, and learn about the publishing industry. Badges will be awarded to members to recognize a variety of achievements including most-improved books, top-rated peer reviewers, and most-active discussion contributors.

“We created Book Country because while writing and publishing sites have proliferated in recent years, none were designed by publishing experts to create a more valuable pathway forward for new writers,” explained Book Country President Molly Barton. “Book Country is egalitarian and merit-based, while fostering an atmosphere of encouragement and creativity.”

Members can upload a work in progress, explore and provide feedback on books already posted, participate in discussions about the business and craft of writing, or learn more on the industry blog. A writer new to the site can upload their work immediately, but because Book Country was designed with genuine reciprocity in mind, before that work becomes visible on the site, she or he must review three other people's work.

Book Country is a subsidiary of Penguin Group USA, a Pearson company. Though owned by Penguin Group USA, Book Country is a separate entity, both legally and practically with fulltime Book Country staff members. Books from all publishing houses will be mentioned on the site, and staff members from all publishers are welcome to participate. Book Country is focused on the success, education and enjoyment of its members.

BOOK COUNTRY FAQ:

What is Book Country?
Book Country is creative, supportive online community where readers and writers of genre fiction can come together read works in progress, post original fiction, comment on the work of their peers, participate in online discussions and increase their name recognition.

What defines “genre fiction”?
“Genre fiction” describes the way novels or short story collections with similar themes, settings, tropes, and character types are categorized. Book Country focuses on romance, mystery, thriller, science fiction, and fantasy.

Will you be adding additional genres? What about Young Adult?
Book Country is focused on specific genres, and is not designed to be all things to all writers. Over time, we may add additional genres and literary forms based on feedback from the community. Young Adult fiction that falls into one of our focus genres is welcome at Book Country.

Will Book Country offer self-publishing services? When?
Right now, Book Country is focused on building the community. Later this year, we will be adding self-publishing services. We are not outsourcing these services.

Will editors and agents read Book Country manuscripts?
Many editors and agents are members of Book Country and read the uploaded content. It is not, however, an outlet for submission to agencies and publishing houses.

What steps has Book Country taken to prevent plagiarism?
Protecting the uploaded work is of the utmost importance, and Book Country has taken numerous steps to make it very difficult for someone to copy or distribute writers’ material, including disabling “copy and paste” and “print” functionality within the reader.

Do you allow books with explicit material?
Yes, of course. We respect writers’ creative choices when it comes to their posted manuscripts and books. We do, however, request that they tag their work accordingly and we have some suggestions in our terms of use and community guidelines sections. In addition, we have a way for members to report inappropriate content throughout the site.

What is Book Country’s relationship to Penguin?
Book Country, LLC is a subsidiary of Penguin Group USA, a Pearson company. Book Country is a separate legal entity with full-time Book Country staff.

Tuesday, June 21, 2011

“Miserere: An Autumn Tale” by Teresa Frohock (Reviewed by Robert Thompson)

Order “Miserere: An Autumn TaleHERE
Read An Excerpt HERE (PDF)
Watch the Book Trailer HERE

AUTHOR INFORMATION: Raised in a small town, Teresa Frohock learned to escape to other worlds through the fiction collection at her local library. Miserere: An Autumn Tale is her debut novel.

PLOT SUMMARY: Exiled Katharos Lucian Negru deserted his lover in Hell in exchange for saving his twin sister’s soul, but Catarina doesn't want salvation. She wants Lucian to help her fulfill her dark covenant with the Fallen Angel Mastema by using Lucian’s power to open the Hell Gates. Catarina intends to lead the Fallen's hordes out of Hell and into the parallel dimension of Woerld, Heaven's frontline of defense between Earth and Hell.

When Lucian refuses to help his sister, she imprisons and cripples him. After sixteen years living with the pain and guilt of what he did, Lucian is finally offered a second chance when a Katharos spy helps him escape from his sister’s clutches. During his flight from Catarina’s soldiers, Lucian comes across a foundling trapped in Hell. To save her, Lucian must open a Hell Gate, violating the terms of his Ban, which is punishable by death.

Now, not only must Lucian evade Catarina's wrath while trying to protect an inexperienced foundling, but he is also being hunted by Rachael, the lover he betrayed and abandoned in Hell, who is dying from a demonic possession and seeks retribution...

FORMAT/INFO: Miserere: An Autumn Tale is 350 pages long divided over three Parts and twenty-one numbered/titled chapters. Narration is in the third-person, mostly via Lucian Negru and Rachael Boucher, while other POVs include Lucian’s twin sister Catarina, the foundling Lindsay Richardson, and Lucian’s Elder John Shea. Miserere: An Autumn Tale ends at a satisfying stopping point, but is the first book of the Katharoi, which will have at least two more sequels: Dolorosa: A Winter's Dream (Book 2) and Bellum Dei: Blood of the Lambs (Book 3). July 2011 marks the Trade Paperback publication of Miserere: An Autumn Tale via Night Shade. The lovely cover art is provided by Michael C. Hayes.

ANALYSIS: Teresa Frohock’s impressive debut, Miserere: An Autumn Tale, takes the concept of characters passing from the real world into another world—think The Chronicles of Narnia and Alice In Wonderland, both of which are referenced in the novel—and sets it in the middle of an ages-old war between Heaven and Hell. In this war, Hell is a prison where its inhabitants, the Fallen, seek their freedom so they can return to Heaven. In order to accomplish this though, the Fallen must first conquer Woerld, a dimension that exists between Hell and Earth, with Earth the gateway to Heaven.

Defending Woerld from the Fallen are the Katharoi, warrior-prophets blessed with the ability to perform talents such as healing, telekinesis and commanding Hell Gates by channeling God’s spirit. Katharoi are originally from Earth. As children, those who are deemed worthy by the Celestial Court to defend Woerld from the Fallen, are allowed passage through the Crimson Veil which shields Earth from Woerld. There, foundlings are raised by Elders, who teach the foundlings how to control their abilities and the ways of a Katharos.

Into this setup, Miserere: An Autumn Tale revolves around four main characters: Lucian Negru, an exiled Katharos who abandoned Rachael, the woman he loved, to save the soul of his twin sister Catarina sixteen years ago; Lindsay Richardson, a 12-year-old foundling from present day Earth who bonds with Lucian as her Elder; Rachael Boucher—a Katharos Judge suffering from the possession of a demon called Wyrm—who has been tasked with hunting down Lucian, her ex-lover and betrayer; and Lucian’s twin sister Catarina, a former Katharos who now serves the demon Mastema and seeks to use Lucian’s powers to free the Fallen.

Between these four characters, Miserere: An Autumn Tale plays out like a Shakespearean drama because of the intense emotional turmoil that exists among the foursome. There’s the love that Lucian and Rachael once shared, the guilt & sorrow that Lucian feels for his betrayal and Rachael’s anger & pain for being betrayed, and the feelings they still harbor for one another. Then there’s the complicated love/hate relationship between the twins, with Lucian torn between his oath to always protect Catarina, his despair at what his sister has become, and his feelings for Rachael, while Catarina struggles between her twisted love for Lucian and her desire for power, which she will obtain by any means necessary, even if it means giving up her soul. Finally, there’s the special bond that develops between Lucian and the foundling Lindsay, a relationship that draws numerous parallels to the tragic events that occurred sixteen years before between Lucian, Rachael and Catarina; and serves as a key element in Lucian’s absolution—a reference to the novel’s title, Miserere, which is Latin for “have mercy”—Rachel’s deliverance, and Catarina’s just reward. Of course, all of this emotional drama would mean nothing if the characters were not convincingly written, highly sympathetic, and, in the case of Lucian, Rachael and Lindsay, extremely likable.

That said, it’s a good thing that Lucian, Rachael, Lindsay, Catarina and their drama are the focal point of Miserere: An Autumn Tale, because the rest of the novel doesn’t measure up to the same standards. For starters, Teresa Frohock’s world-building lacks depth, especially when it comes to describing Hell and the various places introduced in Woerld (Hadra, the Wastelands, Ierusal, the Citadel). Also, while I understood many of the rules governing Woerld and the Katharoi, the book still left me with several questions: Does time move differently in Woerld because Lindsay Richardson is a 12-year-old foundling from present-day Earth, while Lucian came from the 13th century, but is only forty years old? If the Fallen can only escape from Hell through Hell Gates, why are Katharoi born with the ability to open Hell Gates? Are the inhabitants of Woerld all originally from Earth, or were people there before the Katharoi arrived? Can Katharoi procreate, and if so, are their children born with the powers of a Katharos? If the Crimson Veil only opens for children on Earth, and only allows passage into Woerld, how do the Fallen plan on crossing the Veil into Earth? And so on...

Speaking of Woerld, supposedly every religion on Earth is represented through one of Woerld’s many bastions, with the different religions working together and respecting one another. Unfortunately, readers never really get to see this ideal world in action because the novel is primarily dominated by Christianity, which was a little disappointing considering the interesting potential this concept offered. On the plus side, Miserere: An Autumn Tale never gets preachy or heavy-handed, despite the novel’s emphasis on religion.

Moving on, Teresa Frohock’s writing in Miserere: An Autumn Tale may be accessible and emotive, but it’s also plain and unsophisticated—“The land surrounding her was flat with rock formations jutting out of the darkness. In the distance, mountains lined the horizon, and a volcano belched smoke and fire into the sky.”—which made it feel like I was reading a YA novel. Personally, I have nothing against YA fiction if that’s what the author was trying to accomplish, except Miserere: An Autumn Tale would occasionally venture into territory that bordered on dark fantasy and horror—torture, rape, the Simulacrum, demonic possession, the Sacra Rosa, profanity, etc.—which jarred uncomfortably with the book’s YA sensibilities. The YA-like writing also extends to the story, including shallowly developed subplots—traitors within the Citadel’s Katharoi—and predictable plot twists, not to mention a fairy-tale ending that dampened some of the emotional drama that came before. Lastly, as much as I loved the characters in Miserere: An Autumn Tale, I felt the author focused too much on Lucian and Rachael, in the process undermining Catarina and Lindsay, while the tragic events between Lucian, Rachael and Catarina sixteen years ago could have been explained in better detail.

In spite of these various issues, Miserere: An Autumn Tale remains an impressive and entertaining debut, led by an interesting concept in Woerld and the Katharoi, great characters, and compelling drama. So even though Teresa Frohock’s craft has plenty of room for improvement, I look forward to experiencing the author’s growth and development in the Katharoi sequels...

Sunday, June 19, 2011

“The Map of Time” by Félix J. Palma (Reviewed by Robert Thompson)

Order “The Map of TimeHERE (US) + HERE (UK)

AUTHOR INFORMATION: Félix J. Palma has been unanimously acclaimed by critics as one of the most brilliant and original storytellers of our time. His devotion to the short story genre has earned him more than a hundred awards. The Map of Time is his first novel to be published in English. It received the 2008 Ateneo de Sevila XL Prize and will be published in more than 30 countries.

PLOT SUMMARY: Privileged Andrew Harrington is a despondent young man who plans on killing himself. Eight years earlier, he had found the love of his life. It didn’t matter that their lives were vastly different—he born to a rich and entrepreneurial family and she a woman struggling to survive as a prostitute in London’s seedy Whitechapel section. He’s determined to declare his love for her and live happily ever after, even if it means leaving his privileged life behind. Everything changes however, when his beloved Marie Kelly becomes the last victim of the villainous Jack the Ripper.

That’s where H.G. Wells comes in. The publication of his novel, The Time Machine, has set off a furor of interest and curiosity about the possibility of time travel. There is even a company called Murray’s Time Travel that offers trips through time to witness a battle between humans and robots in the year 2000. Andrew’s cousin Charles is certain that Wells can rescue Andrew from despondency by helping him travel back in time to stop Jack the Ripper from killing Marie Kelly...

Claire Haggerty is young, wealthy, and very dissatisfied with her life. She’s sure she’s been born into the wrong time in history. She has no interest in the men who court her and she certainly has no interest in marrying any of them. She fears she will never find a man who will utterly sweep her off her feet and make her fall helplessly in love.

That is, until her cousin Lucy talks her into buying a ticket to one of the expeditions to the year 2000 through Murray’s Time Travel. All the advertisements boast of an incredible battle over the fate of the world between humans, led by the heroic Captain Derek Shackleton, and automatons. Entranced by Captain Shackleton’s courage—not to mention his manly physique—Claire is positive that she’s finally found the man she’s been looking for. She’s determined to go on the expedition and steal away from the group, profess her love for Shackleton, and stay with him in the future.

But Captain Shackleton isn’t quite who he seems, and he and Claire are caught up in a dangerous situation that threatens to rip them apart. And it’s once again up to H.G. Wells to use his imagination to protect a romance that spans time and class...

In the third act of The Map of Time, H.G. Wells must ‘save’ his own life. A brilliant writer who doubts his own skill, Wells has just finished the manuscript for The Invisible Man. No one, not even his beloved wife Jane, has read it. So naturally he’s horrified when he learns that the opening lines to The Invisible Man have been scrawled on the wall above the body of a homeless man who has apparently been murdered by a weapon not of this world. His horror mounts when two additional murders take place, each accompanied by mysterious opening lines, followed by a map requesting his presence at 50 Berkeley Square—the most haunted house in London.

Thus, Wells is compelled to embark on a desperate journey to save himself and his future. And in turn, he must make a momentous decision that will change the course of his—and his wife Jane’s—life forever...

CLASSIFICATION: Historical fiction, alternate history, time travel, mystery, steampunk, pulp adventure, romance and Victorian London collide in The Map of Time, recalling elements of H.G. Wells’ The Time Machine, Jules Verne, The Prestige by Christopher Priest, Gordon Dahlquist's The Glass Books of the Dream Eaters, From Hell, and The Time Traveler’s Wife by Audrey Niffenegger.

FORMAT/INFO: The Map of Time is 624 pages long, divided over three Parts and forty-three Roman-numbered chapters. Narration is in the third-person omniscient via an unknown narrator who will occasionally break the fourth wall and address the audience directly. The Map of Time is self-contained, but I believe the book is part of a trilogy. June 28, 2011 marks the North American Hardcover publication of The Map of Time via Atria Books. The UK version (see below) was published on June 9, 2011 via HarperCollins. The Map of Time was translated from Spanish to English by Nick Caistor.

ANALYSIS: Welcome, dear reader, as you plunge into the thrilling pages of our melodrama where you will find adventures of which you never dreamt!

If like any reasonable person you believe that time is a river sweeping away all that is born towards the darkest shore, in these pages you will discover that the past can be revisited, that mankind can retrace his footsteps thanks to a machine that can travel through time.

Your emotion and astonishment are guaranteed.

So begins Félix J. Palma’s astonishing novel, The Map of Time. A novel about time travel—set during Victorian London—that was inspired by The Time Machine and pays homage to its famous author, H.G. Wells, who is not only a character in the book, but the main protagonist. As a fan of time travel—who doesn’t like Back to the Future or Terminator?—Victorian settings and H.G. Wells, The Map of Time immediately captured my interest and filled me with excitement. However, much to my delight, reading The Map of Time was even better than anticipated.

For starters, Félix J. Palma’s writing is simply exquisite: “It felt so good to let himself be enveloped by the protective mantle of that immense unconditional love, that magic cape shielding him from life’s coldness, the icy indifference of every day that made his soul tremble, the incessant wind filtering through the shutters and seeping into his innermost depths.” Fortunately, there is much more to the author besides gorgeous prose. Félix J. Palma is the complete package, excelling in all phases as a writer including characterization, world-building, creativity and storytelling. (NOTE: As lovely as Félix J. Palma’s writing is, it would not be possible in this edition if not for Nick Caistor’s wonderful translation.)

Characters for instance, are incredibly lifelike with their innermost thoughts and feelings intimately portrayed. Fittingly, Félix J. Palma spends the most time with Herbert George Wells, fleshing out the events that fired his passion for literature and writing; his roundabout path to becoming a published author instead of a baker’s assistant; the meeting with Joseph Merrick—the Elephant Man—that inspired The Time Machine and The Island of Dr. Moreau; and his opinions on such varied topics as book reviews, the social commentary found within his novels, love, parallel universes, fate vs. free will, and so on. Since The Map of Time is a work of fiction, Félix J. Palma does take liberties with certain aspects of H.G. Wells’ life, but because the author writes with such authenticity and attention to detail, it’s impossible to separate fact from fiction. Andrew Harrington, Claire Haggerty, Captain Derek Shackleton and Inspector Colin Garrett of Scotland Yard are written with the same skill and intimacy, but none of these characters are as compelling as Wells, although Gilliam Murray—a supporting character—succeeds as an interesting rival to the author.

Félix J. Palma also does a masterful job with the setting, recreating a Victorian London that makes the reader feel like he traveled back in time. Personally though, I was more impressed with the author’s ability to integrate actual historical figures and places into the novel in a manner that felt natural and convincing, including Jack the Ripper, Marie Kelly, Whitechapel, Joseph Merrick, Dr. Treves, Henry James, Bram Stoker, and 50 Berkeley Square. I also appreciated the numerous references to the era—Charles Dickens, Edgar Allan Poe, Darwin, Jules Verne, Robert Louis Stevenson, Nikola Tesla, Allan Kardec, Sir Arthur Conan Doyle’s Sherlock Holmes, King Solomon’s Mines, Inspector Frederick Abberline—that reminded me why the Victorian period is one of my favorite settings in literature.

Time travel meanwhile, is represented in The Map of Time by four different methods: the very same time machine that is depicted in H.G. Wells’ classic novel; a fourth dimension—described as a pink plain—where time is stopped and its inhabitants can create holes to different moments of the time continuum, including May 20, 2000; a machine that digs tunnels through the fabric of time; and Homo temporis, humans who developed the ability to travel through time using their minds. Only one of these methods is actually viable in the book, but all four concepts provide the reader with countless pages of entertainment, thought-provoking moral complexity, and mind-bending paradoxes.

Plot-wise, The Map of Time consists of three Parts, each Part relating a separate tale, with all three stories connected by certain characters and themes including H.G. Wells, Gilliam Murray, love, and time travel. The story’s strength lies in its unpredictability, which in turn, is orchestrated by a mysterious omniscient narrator who uses clever misdirection, well-timed surprises and shocking plot twists to constantly keep readers on their toes. At the same time, Félix J. Palma manages to keep things accessible, despite the complexity and ambitiousness of the story.

Unfortunately, as much as I loved The Map of Time, Félix J. Palma’s novel is not perfect. For one, because of an extraordinary amount of backstory, over two hundred pages go by before any real adventure even transpires in the book. An issue that recurs throughout the novel, though not at the same extreme as the beginning of the book. Not only that, but the author’s writing can be long-winded at times which, combined with all of the backstory, results in a page count that is much longer than necessary. Admittedly, the omniscient narrator’s presence helps alleviate these issues by directly addressing concerns that a reader may have—why the backstory is important for instance, or the reason for switching to another POV in the middle of a paragraph—but nevertheless, the novel could have benefited from additional editing, like the unnecessary details surrounding William Harrington’s ascent to fortune and social status. Furthermore, Félix J. Palma has a tendency to explain certain concepts, plot twists and revelations in explicit detail, as if afraid readers would be unable to figure out things on their own. Finally, as a fan of science fiction and fantasy, I felt cheated a couple of times because of the unexpected direction The Map of Time took, but the novel easily redeems itself in the excellent third act. That said, the novel’s conclusion does feels a bit anticlimactic, especially considering everything that came before...

CONCLUSION: Even with imperfections, Félix J. Palma’s The Map of Time is quite possibly a masterpiece, if not a future classic. At the very least, the novel deserves all of the praise it has received thus far, and will receive in the future. Granted, The Map of Time will not be for everyone, despite the genre-defying scope of the novel, but anyone who can appreciate what Félix J. Palma’s book has to offer will be in for a treat. As for myself, The Map of Time is certainly one of the best novels I’ve read all year, in any genre, and is a book that I will be recommending to readers for years to come...