Spotlight on February Books

This month we are featuring 30 books. There are more than twice as many new sff and related releases this month in traditional publishing not to speak of the countless indies from Amazon and Smashwords but we are limiting ourselves to books that will be reviewed here or are similar with such. For the full schedule of February 2012 titles known to us, you can consult the Upcoming Releases page.

The release dates are US unless marked otherwise, though for books released in the UK and US in the same month but on different dates we use the earliest date without comment and they are first edition unless noted differently. The dates are on a best known basis so they are not guaranteed; same about the edition information. Since information sometimes is out of date even in the Amazon links we use for listings, books get delayed or sometimes even released earlier, we would truly appreciate if you would send us an email about any listing with incorrect information.

Sometimes a cover image is not available at the time of the post and also sometimes covers change unexpectedly so while we generally use the Amazon one when available and cross check with Google Images, the ultimate bookstore cover may be different.

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“Angelmaker” by Nick Harkaway. UK Release Date: February 2, 2012. Published by William Heinemann. (MISC).
“Enormity” by W. G. Marshall. Release Date: February 2, 2012. Published by Night Shade Books. (MISC).

“Throne of the Crescent Moon” by Saladin Ahmed. Release Date: February 7, 2012. Published by DAW. (FAN).

“Guardian of Night” by Tony Daniel. Release Date: February 7, 2012. Published by Baen. (SF).

“The Order of the Scales” by Stephen Deas. Release Date: February 7, 2012. Published by Roc. (FAN / US Debut).

“The Mirage” by Matt Ruff. Release Date: February 7, 2012. Published by HarperCollins. (MISC).

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“The Bedlam Detective” by Stephen Gallagher. Release Date: February 7, 2012. Published by Crown. (MISC).

“Garrett Takes the Case” by Glen Cook. Release Date: February 7, 2012. Published by Roc. (UF / Omnibus).

“Wild Thing” by Josh Bazell. Release Date: February, 2012. Published by Little, Brown & Company. (MISC).

“Pure” by Julianna Baggott. Release Date: February 8, 2012. Published by Grand Central. (MISC).

“The Fourth Wall” by Walter Jon Williams. Release Date: February 13, 2012. Published by Orbit. (MISC).

“The Wolf Gift” by Anne Rice. Release Date: February 14, 2012. Published by Knopf. (MISC).

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"The Quiet Twin" by Dan Vyleta Release Date: February 14, 2012. Published by Bloomsbury. (MISC).

"The Detour" by Andromeda Romano-Lax Release Date: February 14, 2012. Published by Soho Press. (Misc).

“Thief's Covenant: A Widdershins Adventure” by Ari Marmell. Release Date: February 14, 2012. Published by Pyr. (YA).

“From the Deep of the Dark” by Stephen Hunt. UK Release Date: February 16, 2012. Published by Harper Voyager. (FAN).

"Satantango" by Laszlo Krasznahorkai Release Date: February 21, 2012. Published by New Directions. (MISC).

“Echoes of Betrayal” by Elizabeth Moon. Release Date: February 21, 2012. Published by Del Rey. (FAN).

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“The Troupe” by Robert Jackson Bennett. Release Date: February 21, 2012. Published by Orbit. (MISC).

“The Technologists” by Matthew Pearl. February 21, 2012. Published by Random House. (MISC).

“The Legend of Eli Monpress” by Rachel Aaron. Release Date: February 24, 2012. Published by Orbit. (FAN / Omnibus).
“Arctic Rising” by Tobias S. Buckell. Release Date: February 28, 2012. Published by Tor. (SF).

“Kings of Morning” by Paul Kearney. Release Date: February 28, 2012. Published by Solaris. (FAN).

“The Kingdoms of Dust” by Amanda Downum. Release Date: February 28, 2012. Published by Orbit. (FAN).

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“The Scar” by Sergey Dyachenko & Marina Dyachenko. Release Date: February 28, 2012. Published by Tor. (FAN).

“The Ruined City” by Paula Brandon. Release Date: February 28, 2012. Published by Del Rey. (FAN).

“Exogene” by T.C. McCarthy. Release Date: February 28, 2012. Published by Orbit. (SF).

“Carpathia” by Matt Forbeck. Release Date: February 28, 2012. Published by Angry Robot. (HF).

“By A Thread” by Jennifer Estep. Release Date: February 28, 2012. Published by Pocket. (UF).
“Dead Harvest” by Chris F. Holm. Release Date: February 28, 2012. Published by Angry Robot. (UF).

Throne of The Crescent Moon by Saladin Ahmed (Reviewed by Mihir Wanchoo)

Official Saladin Ahmed Website

Order “Throne of the Crescent Moon” HERE

Read chapter one HERE

AUTHOR INFORMATION: Saladin Ahmed was born and brought up in Detroit, Michigan. He has a MFA in Creative Writing from Brooklyn College and an MA in English from Rutgers University. Previously he has taught University level creative writing courses for over ten years. He has been a finalist for the Nebula Award for Best Short Story, the Campbell Award for Best New Science Fiction or Fantasy Writer, and the Harper’s Pen Award for best Sword and Sorcery/Heroic Fantasy Short Story. His short fiction has also appeared in magazines and podcasts including Strange Horizons, Orson Scott Card’s Intergalactic Medicine Show, Beneath Ceaseless Skies, Apex Magazine, StarShipSofa and PodCastle. He currently lives with his wife & twin children in a suburb of Detroit, this is his debut.

OFFICIAL BLURB: The Crescent Moon Kingdoms, land of djenn and ghuls, holy warriors and heretics, Khalifs and killers, is at the boiling point of a power struggle between the iron-fisted Khalif and the mysterious master thief known as the Falcon Prince. In the midst of this brewing rebellion a series of brutal supernatural murders strikes at the heart of the Kingdoms. It is up to a handful of heroes to learn the truth behind these killings:

Doctor Adoulla Makhslood, "The last real ghul hunter in the great city of Dhamsawaat," just wants a quiet cup of tea. Three score and more years old, he has grown weary of hunting monsters and saving lives, and is more than ready to retire from his dangerous and demanding vocation. But when an old flame's family is murdered, Adoulla is drawn back to the hunter's path.

Raseed bas Raseed, Adoulla's young assistant, a hidebound holy warrior whose prowess is matched only by his piety, is eager to deliver God's justice. But even as Raseed's sword is tested by ghuls and manjackals, his soul is tested when he and Adoulla cross paths with the tribeswoman Zamia.

Zamia Badawi, Protector of the Band, has been gifted with the near-mythical angelic power, but shunned by her people for daring to take up a man's title. She lives only to avenge her tribe's death. Until she learns that Adoulla and his allies also hunt the same killer. Until she meets Raseed.

When they learn that the murders and the Falcon Prince's brewing revolution are connected, the companions must race against time--and struggle against their own misgivings--to save the life of a vicious despot. In so doing they discover a plot for the Throne of the Crescent Moon that threatens to turn Dhamsawaat, and the world itself, into a blood-soaked ruin.

CLASSIFICATION: The Crescent Moon Kingdom series is a Arabian themed Sword & Sorcery series which combines the swashbuckling adventure aspect of the One Thousand and One Nights with rich prose and efficient characterization to give the reader a new series to be enamored of.

FORMAT/INFO: Throne of the Crescent Moon is 274 pages long divided over twenty numbered chapters and three numbered but untitled interludes. Narration is in the third person via Doctor Adoulla Makhslood, Raseed bas Raseed, Zamia Banu Laith Badawi as the major POV characters while Lady Litaz Daughter-of-Likami and Dawoud Son-of-Wajeed are the minor POV characters. There is a map of the crescent Kingdoms present along with an author acknowledgements page. Throne of the Crescent Moon is the first book in the Crescent Moon Kingdoms series.

February 7, 2012 marks the North American Hardback and e-book publication of Throne of the Crescent Moon via DAW. Cover art is provided by Jason Chan.

ANALYSIS: I was first introduced to Saladin Ahmed’s writing when his short story “HOOVES AND THE HOVEL OF ABDEL JAMEELA” from the anthology Clockwork Phoenix 2, was featured on our blog. It was a story which particularly mined the rare Arabic mythological landscape and with Saladin’s background, it was easy to notice why it was so strong a story. That was nearly three years ago. Last year it came to my notice that his Sword and Sorcery novel was debuting early in 2012 and I wanted to see what his imagination had created.

The world of the Crescent Moon Kingdoms while drawing upon certain middle Eastern kingdoms of yore is also unique enough to draw the reader in. While the map definitely shows off a nice landscape, not much of it is revealed in the first volume & so it is left as a tantalizing presence of future wonders to be read (a B/W version can be viewed here). It should be interesting to see how the author populates and displays the lands drawn within. The story of this book focuses upon Dhamsawaat, the great city of Abassen which is considered to be the crown jewel amongst all the cities. It is this very city which doctor Adoulla Makhslood calls home; he is one of the last few of a revered clan. The clan of Ghul Hunters which is already lost most of its members to those very nemeses with whom they spar with. The prime thing about a true Ghul hunter is his shining white kaftan that refuses to catch any dirt until the particular Ghul hunter loses his standards or absolves himself of the vows. In the current day Adoulla is particularly fascinated by his past as he contemplates it over a cup of cardamom tea. His reminiscing is disturbed by a uniquely disturbing vision wherein he sees his beloved city overrun by Ghuls. Things soon take a further downward turn when his assistant/partner the young Dervish Raseed bas Raseed brings him a child survivor of a Ghul attack and one whose familial connections make it particularly difficult for Adoulla to avoid not getting involved.

On learning the details of the ghul attack and as per their duty, they ride towards the attack spot only to learn that what awaits them, is something unheard of. They also come upon a tribal girl with special powers of her own, Zamia is the girl on the hunt herself to avenge her tribe. Fortunately they return to the city and find it in more of a upheaval due to the actions of Pharaad Az Hammaz, the Falcon Prince who is a Robin Hood like figure fighting against the oppressive rule of the Khalif. Set in the powder keg of the city wherein political fighting masks the danger presented by the unknown Ghul master who is looking to topple the natural order of things. It will be up to Adoulla and his allies to choose a side within the political battle and find out the mystery of the Ghul Hunter as well the source of the power that the hunter covets.

This debut was something special to read about as instead of the usual medieval fantasy fare, the author has created a slightly unique scenario which really stands out amidst the debut fantasy field. The prose is praiseworthy as the author brings life to this remarkable world and the reader is easily transported to the dusty haven of the Crescent Moon Kingdoms. The characterization is also above the ordinary as the author does his best to fully showcase the characters and the dilemmas they face. The character cast features a wide array of characters who range from the various fantasy stereotypes of the young valiant warrior, old world-weary wizard, wild tribal girl, Old allies, etc. but the author superbly subverts these by bringing these characters to life via their POV chapters. You feel Adoulla’s resignation to his fate, Raseed’s devotion to his craft, Zamia’s single minded vengeance and the Falcon Prince’s enigmatic omniscient ways. All of this and much more is to be found in this slim volume which while being a series opener, gives a well rounded tale with a complete ending of sorts (of course with the promise of more to follow). The cover art by Jason Chan is also stunning and follows the pattern of that of The Codex Alera series by Jim Butcher by being a part of the actual story within.

The book's infectious energy & pace also help in making the pages fly faster and hence the reader will want to read it in as few breaks as possible. The author’s passion in presenting this tale is very much felt through out these pages as while this book shares certain milieu characteristics with The Desert of Souls by Howard Andrew Jones and Rose of The Prophet trilogy by Margaret Weis & T. Hickman. It far outstrips these two and other books in this niche by bringing a certain je ne sais quoi to its subject matter which could be due to the author’s own genealogy or simply because the author wanted to write a different type of medieval fantasy set in a geographical location which is usually caricatured. Whatever be the reason, the end result is that this book is definitely a special debut because of the excellence shown in the departments of prose, characterization & plot matter.

Thoughts of the dissenting kind aren't to be found as I thoroughly enjoyed this read. Maybe I could fault the book for being a bit too compact or not really expanding on the magic & world scenario beyond what is told in the story. However these couple of drawbacks aren't really that big a deal and I think it shouldn't be a deterrent for enjoying the book. The book’s size is definitely on the thinner side and this might be going against the norm seen in current fantasy scenario wherein the breadth of the spine is thought to be a plus point. This however doesn’t make it any less excellent as the book in its compact avatar, packs a very strong punch. The magic system as well the world history is given out rather sparsely and perhaps could have been explained a bit more. This however is a dicey matter and one which almost always causes consternation among readers as there's no perfect ratio to be found.

CONCLUSION: Saladin Ahmed debuts his take on Sword & Sorcery tales and it is a particular fascinating one. Throne of the Crescent Moon is definitely going to be in my year end list and will be remembered by many as a smashing, exciting debut. I would encourage all readers to give it a try as Saladin is definitely an author to watch for. Grab the Throne of the Crescent Moon and lose yourself in this alluring tale.

Thoughts on Alain Robbe-Grillet's "Recollections of the Golden Triangle" and "Repetition" (by Liviu Suciu)

INTRODUCTION: Alain Robbe-Grillet (1922-2008) was one of the masters of post-war French literature and a theoretician of the "new novel" which eschewed psychological investigations and character introspection in favor of clear descriptive prose full of imagery. In his novels we "visualize" the events but we have no particular insight into why they happen and there is a lot of ambiguity, so even today and many critical studies later and there is no consensus on what actually "happened" in some of the author's books...

For this reason his novels while tending to assume the structure of thrillers and mysteries, are in effect quite close to speculative fiction and in a few cases I would argue that they are sff-nal by any reasonable definition.

While I have almost all of his novels that have been translated into English and a few like Regicide that are French only and I fully read some four as of now, I also read quite a lot from a few others and I plan to read carefully all his oeuvre as time goes. Here I will present the two most impressive (imho) of Alain Robbe-Grillet's novels I've finished so far.

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"A provocative novel by the most influential living French writer, Recollections of the Golden Triangle is a tour de force: a literary thriller constructed of wildly diverse elements--fantasy and dream, erotic invention, and the stuff of popular fiction and movies taken to its farthest limits.

A secret door that is opened slightly by an electronic device, a beautiful hanged factory girl, a pale young aristocrat whose blood apparently nourishes his vampiric lover, the evil Dr. Morgan who conducts his experiments in "tertiary dream behavior," the beautiful and sinister women from the world of horror films, and the investigating police, who are not all what they seem to be, are just some of the ingredients of this intriguing new novel by the French master of the intellectual thriller, whose novels and films have effectively changed the way we can look at the "real" world today.

Recollections of the Golden Triangle challenges the reader to find his own meaning in its descriptions, clues, and contradictions, and to play detective by assembling the pieces of the fictional puzzle"

As the blurb above indicates pretty clearly, Recollections of the Golden Triangle is so crazy that it definitely belongs to the speculative field. While I read the book twice and I got at least a tentative idea about what it is all about, I would say that this is a novel to experience "raw" without trying too hard to make logical sense of the order of events, of their "reality" - it simply may be there may not be such, with the time/space shifts and the moving around of characters, pov's, narrative style...

Recollections of the Golden Triangle is a haunting and visual book that just throws at you unforgettable imagery and quite a lot of scenes from the novel stuck with me for a long time. If you want a mind bender which is short but offers more than novels three times its size, this one is highly recommended. Try opening it and see if it mesmerizes you - the Amazon listing linked above too has a few pages excerpt and I grabbed a picture of the first two paragraphs of the book from there.

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"Reminiscent of Orson Welles's The Third Man, Repetition is an atmospheric spy novel of violence, mystery, and tricks of the eye, set in a bombed-out 1949 Berlin. Henri Robin, a special agent of the French secret service, arrives in the ruined city and feels linked to it by a vague and recurrent memory. There is a shooting, a kidnapping, druggings, encounters with pimps and teenage whores, police interrogations, even torture. Bits and pieces of the Oedipus story resonate through the book's elegant labyrinth as Robin slowly senses that he was in Berlin before — as a child, with his mother, perhaps looking for his father. A brilliantly executed novel in prose of an almost hallucinatory richness, Repetition is proof that Robbe-Grillet's vision is, in a time of identity theft and porous nationhood, more relevant than ever."

Repetition is on its face a classical Cold War thriller as the blurb above indicates, but in reality the action is so over the top and the imagery so haunting and outlandish that the book is as close to sff as it gets, while standing withing accepted historical facts. This is a superb novel but one that is not for everyone with its hallucinatory prose, uncertain and shifting identities and themes of incest, forbidden love, s&m, Lolita... all taking places in the ruins of Germany in 1949.

Everyone encountered is not quite whom he or she seems but the main characters - our "hero" HR aka Henri Robin aka many other names - his seeming double (identity and role to be revealed later), his "handler", the older German officer that is a target of assassination and the mysterious mother and daughter pair of the American zone in Berlin whose past and relationships with the main characters above is also slowly revealed give this novel its power in addition to the superb prose.

Highly recommended and another novel that needs to be read at least twice since early happenings change or deepen their sense after later revelations so the second reading will be quite different than the first. Also in a contrast with Recollections of the Golden Triangle and showing the author's literary range, this novel starts slower and then accelerates in the second part to end in a pretty decisive, no controversy about what's what, finale.

"Blue Remembered Earth" by Alastair Reynolds (Reviewed by Liviu Suciu)

Official Alastair Reynolds Website
Order "Blue Remembered Earth" HERE
Read Three Chapters from Blue Remembered Earth HERE
Read FBC Review of "House of Suns" HERE
Read FBC Review of "Terminal World" HERE

INTRODUCTION: As my number one sf writer of the 00's, any novel or story by Alastair Reynolds is a must and based on the exciting blurb below, "Blue Remembered Earth" has been one of my highly anticipated novels of 2012. As I commented in this review of the recent Solaris SF anthology that featured a superb story by Mr. Reynolds, I really missed reading the usually "annual" novel from the author in 2011 as Terminal World has been published in early 2010 and Blue Remembered Earth showed me once again why...

"One hundred and fifty years from now, in a world where Africa is the dominant technological and economic power, and where crime, war, disease and poverty have been banished to history, Geoffrey Akinya wants only one thing: to be left in peace, so that he can continue his studies into the elephants of the Amboseli basin. But Geoffrey's family, the vast Akinya business empire, has other plans. After the death of Eunice, Geoffrey's grandmother, erstwhile space explorer and entrepreneur, something awkward has come to light on the Moon, and Geoffrey is tasked - well, blackmailed, really - to go up there and make sure the family's name stays suitably unblemished. But little does Geoffrey realise - or anyone else in the family, for that matter - what he's about to unravel. Eunice's ashes have already have been scattered in sight of Kilimanjaro. But the secrets she died with are about to come back out into the open, and they could change everything. Or shatter this near-utopia into shards .."

OVERVIEW/ANALYSIS: "Blue Remembered Earth" is arguably the author's least "technical" novel insofar as its world's society and technology are extrapolated from today's cutting edge stuff without anything really "exotic" and Mr. Reynolds talks a little about this in the Acknowledgements page of the novel.

However I found the book an excellent showcase for the author's major strengths, sprinkled with what I consider to be his occasional weaknesses and proving again why he is still the number one writer of "hard" sf today.

The world building is top notch, Africa as a major power comes off naturally and pitch perfect, the Aquatics, the Moon colonies, the Martians, the Mech, the AI phobia of the society and the dispute between the bio-first and the tech-first powers/corporations read also naturally and the novel's universe is both "alive" and a place where I can easily imagine myself living. As speculation about a mid 2100's Earth and nearby solar system, "Blue Remembered Earth" is simply unrivaled in recent sf and if only for that and the novel is a top 25 of mine.

There are some underwater scenes that are just unbelievable even if a little too short, but those few pages are also almost worth the novel by themselves, not to speak of the Moon stuff and the Martian one; lots of humor and the Pyhthagorean adventure - read the book to find out about it - just cracked me up laughing. Just read this paragraph where Geoffrey Akinya visits the Earth Aquatic states:

"He had no sooner formulated that idea than they were, startlingly, outside – crossing between one part of Tiamaat and another, with only the tube’s glass between them and the crush of the surrounding water. They were crossing through a forest of night-lit towers, turreted and flanged and cupolaed, submarine skyscrapers pushing up from black depths, garlanded with myriad coloured lights. The buildings were cross-linked and buttressed by huge windowed arches, many stories high, and the whole city-district, as far as he could see, lay entwined in a bird’s-nest tangle of water-filled tubes. He could, in fact, make out one or two tiny moving forms, far above and far below – swimmers carrying their own illumination, so that they became glowing corpuscles in some godlike arterial system."

"Blue Remembered Earth" is also a compulsive read that you do not want to put down and here is one place where Alastair Reynolds of 2012 shows his maturity as a writer, comparing with the amazing but fractured in style Revelation Space of 2000. The novel follows the two rebellious siblings, Geoffrey and Sunday Akinya, one who starts as an Elephant scientist on Earth and the other as an artist in the Moon "free zone" - where the complete Mech surveillance is banned by law - and when the narrative splits into two threads, the transitions are smooth and each storyline is compelling on its own.

The weaknesses noted in earlier novels - most notably the lack of major differentiation between Geoffrey and Sunday despite their different genders, the use of important secondary characters like Sunday's boyfriend Jitendra and Geoffrey's ex Jumai as props rather than real "live persons" and the mostly cartoonish villains Lucas and Hector Akinya, our heroes' cousins - appear too, but a few powerful secondary characters like old family retainer Memphis, "opposition" leader Arethusa, the (sfnal) "spirit" of deceased matriarch Eunice and others I leave you to discover, mitigate this and show again the growth of the author in literary skills.

The other niggle I had about "Blue Remembered Earth" was its thriller/quest structure that developed after maybe a third of the novel and which gave a feeling of "too long in parts" with some action sequences that could have been shortened for a stronger impact, while the "content" part - eg more about the Mech and the Gearheads or the Moon free zone for example, more backstory, more path evolution of the world - could have been lengthened for a higher ratio of content/action as befits a core-sf "sense of wonder" novel versus a "run of the mill" action thriller.

The book has a great ending which makes it a quasi-standalone, though of course I want to know what happens next in the Poseidon's Children series which "Blue Remembered Earth" (top 25 novel of mine) debuts so magnificently. If you want to understand why sf at its best is still the most interesting form of literature today, "Blue Remembered Earth" and the recently reviewed In the Mouth of the Whale are the places to go.

Dominion by C.S. Friedman (Reviewed by Mihir Wanchoo)

Official Author Website

Read an Excerpt HERE

Order Dominion HERE (Amazon) and HERE (Barnes & Noble)

AUTHOR INFORMATION: Celia S. Friedman was born in 1957 in New York city and was enamored by reading since a young age. She developed a strong affinity towards science fiction in her teens thanks to Isaac Asimov & since then has gone on to read much of it. She got her MFA from the University of Georgia, where she studied Costume Design. She currently lives in Northern Virginia and has two cats that are integral to her writing process.

OFFICIAL BLURB: Four hundred years after mankind's arrival on Erna, the undead sorcerer Gerald Tarrant travels north in search of a legend. For it is rumored there is a forest where the fae has become so powerful that it devours all who enter it, and he means to test its power.

This prequel to C. S. Friedman's bestselling Coldfire Trilogy (Black Sun Rising, When True Night Falls, Crown of Shadows) offers fans of the series a hint of Tarrant's secret history, while new readers will enjoy a chilling introduction to one of High Fantasy's most fascinating -- and deadly --worlds.

FORMAT/INFO: Dominion is 3o-odd pages. Narration is in the third person via Gerald Tarrant and Faith the Church Knight. There is an “about the author” section as well. Dominion is a standalone novella and is also a prequel. January 9, 2012 marked the e-book publication of Dominion by the author herself. Cover art is provided by Linda Gilbert and Casey Gordon.

ANALYSIS: Dominion is a novella by celebrated SFF writer Celia S. Friedman, it is a prequel to her seminal work that is “The Coldfire trilogy”. The first book “Black Sun Rising” was released in 1991 and captured the interest and fascination of readers worldwide with its curious mix of science fiction and fantasy. Two sequels followed at a biennial rate and the author closed of the trilogy and the story of eclectic bunch of characters found within. Liviu is also a fan of this series as is Pat of Pat’s Fantasy Hotlist and it's through both their efforts that I go to know about Dominion.

Before we start I would extoll readers to read this wonderful essay about the series and its motifs by a polish fan. It has a few mild spoilers but it remarkably demonstrates why it had such an impact amongst SFF readers nearly two decades ago and why it still holds a special position in their minds/hearts. I haven’t read the trilogy but that is more due to laziness on my part rather than anything else. Also since this novella was a prequel, I thought of it as a perfect opportunity to begin my exploration of this evocative work.

The story has two protagonists namely Gerald Tarrant and Faith, the former is the first of a kind among mages, the latter the ultimate survivor of a hunting Knight force. They are polar opposites and are both drawn to a certain special forest that will test their fortitude. Gerald is drawn to it for the sole reason that it raises his curiosity by being a font of fae energy, which might have sentience. Faith on the other hand, doesn’t have an exact clue about how she has landed there. Death however stalks both of them and one misstep will be all that it takes for the forest to claim dominion over both of them.

What is so good about this novella is that even though it is on the shorter side in matters of length, it does not waste any extra space in immersing the reader in the dark world of Erna. The setting and background information is quickly given to the reader without making it all to obvious and at the same time is the introduction of the dual POV threads which fuel the story. The pace of the plot is of the express kind but it does not hamper the characterization in any way, which just shows the proficient prose utilized. Another point about the characterization is that readers will be thoroughly invested in both characters and of course it’s almost impossible not to be enamored by the Neocount whose actions, intellect & power are visible only as the tip of the iceberg. I know who the readers will most likely be rooting to achieve dominion (as was I) and that is another highlight for the novella to entrance the reader in such a small timeframe.

The novella is structured in such a way that its not hard to guess where it will end up but here’s the beauty you can’t exactly predict how it will end for both the protagonists (Obviously veteran fans of the Coldfire trilogy will know more about the fate of one of the POV characters). The twist in the end as well as the origin story of another character in the middle will be very much appreciated by pervious fans as I’m lead to believe that both plot twists are pivotal for certain events in the future trilogy. Overall this novella stands out for making it easy for fans & non-fans to get acquainted with it easily, with out losing out on the surprise factor that is often the downfall seen in most prequels due to the nature of the stories.

I don’t think I have any feedback of the dissenting kind for this story as it simply caught me off guard with its sheer excellence and it shames me to say that I haven’t yet read the Coldfire trilogy in spite of owning all the three books.

CONCLUSION: C.S Friedman’s Dominion is nothing short of a brilliant way to get new readers exposed to her seminal trilogy and other works. Do yourself a favor and read this novella if you are looking for dark fantasy and a protagonist who is quite simply the perfect embodiment of an antihero. Dominion is a must read for all fans of the darker turn of the fictional worlds, so go meet the Neocount and be prepared to amazed.