Friday, May 18, 2012

Dragon Poems for Smiletrain: An Anthology For Charity by L. M. Stull and M. R. Mathais

SmileTrain is an organization with a mission to provide a child born with a cleft the same opportunities in life as a child born without. They offer the following:
 - Provide free cleft surgery to hundreds of thousands of poor children in developing countries.

- Train doctors and medical professionals in over eighty countries.

- Treat the “whole child” with comprehensive, total rehabilitative care including: speech therapy, general dentistry and orthodontics.




To help this wonderful organization, M.R. Mathias and L.M. Stull hosted a wonderful contest for poems about dragons. They have now collected all the entries into an eclectic collection and all proceeds from the book will go towards Smiletrain and their amazing efforts in helping children. So spare a look if you can at their wonderful website and for buying your copy of this collection for Kindle you can check it out HERE.

Thursday, May 17, 2012

GUEST POST: Sequels And Satisfying Endings by David Dalglish





Haern the Watcher is, without a doubt, my most popular character. I’ve had fans name their Skyrim characters after him, received numerous pleadings for more books featuring him, and even one man say if he wasn’t gay already, he’d go gay for Haern. I’ve written eight books now featuring him, yet to be honest, I screwed up terribly when I devoted a trilogy just to him.

It’s not that he can’t carry the story. No, the problem is that the focal point for his entire character arc, that of his rebellion against his father’s desire to mold him into the heir of a criminal underworld, gets settled outside the trilogy. Imagine if Luke and Vader, after the end of Empire Strikes Back, never saw each other again. This is my own fault in writing a prequel, of course, and I love my fans for having as much fun with the third book, A Dance of Death, as they did. The first book involved Haern’s emotional revolt against the underworld, the second detailing him fully grown and physically attempting to overthrow a culture of crime (think Batman and Gotham City). The third book took Haern away from his city, to face a copycat that exposed the dangers and hypocrisy of killing to create peace. My hope was the third, in focusing on just who and what Haern represented, and why he fought, might provide a satisfying conclusion.

But for a lot of readers entering into the trilogy prior to reading the Half-Orcs, I got the same response over and over: when does Haern confront his father? Why this side story? Generally I gave them a lame response and pointed at the Half-Orcs, but even then, there was one major problem: I wrote the climactic confrontation before ever going into detail with Haern’s backstory. Perhaps I’m just far too harsh a critic of my own storytelling, but in hindsight I feel I didn’t do it justice. I didn’t do it big enough!

Not anymore. With the Watcher’s Blade Trilogy, this is my chance to push everything to a head. I’ve got three different series taking place in the same world, and I’m tying them all together. This is my Avengers, if you will, my Justice League. Those who have stuck with me through the various storylines are going to be in heaven. The previous trilogy established these characters, and now with this one, I get to play. Haern and his father will get the confrontation I’ve always felt they, as well as my readers, really deserved. One where the whole damn city nearly burns down from the conflict, and there’s a dozen factions in the background trying to manipulate things their way.

Blood of the Underworld is my way of getting things started, and hopefully catching up any readers who are new to my world. In the Half-Orcs, two brothers nearly destroyed the world. In Shadowdance, a son rebelled against his father. With the Watcher’s Blade, I’m hoping for a nice mix of both in terms of scope and consequence, and I’ll gladly welcome anyone else to come along with me and enjoy the ride.

Assuming they don’t mind a few slashed throats along the way, of course!!!





AUTHOR INFORMATION: David Dalglish was born in Missouri and graduated from Missouri Southern State University with a degree in Mathematics. He is the author of the popular Half Orcs series, The Shadowdance trilogy and The Paladins series. He has previously worked as a manager and as a para-professional for Spec-Ed students. He lives with his wife and children in Missouri.

Official David Dalglish Website 
Read FBC's Review of “A Dance of Cloaks” 
Read FBC's Review of “A Dance of Blades” 
Read FBC’s Review of “A Dance of Death” 
Read FBC’s Interview with David Dalglish

Wednesday, May 16, 2012

"Child of all Nations" by Irmgard Keun (Reviewed by Liviu Suciu)

 


"Kully knows some things you don't learn at school. She knows the right way to roll a cigarette and pack a suitcase. She knows that cars are more dangerous than lions. She knows that you can't enter a country without a passport or visa. And she knows that she and her parents can't go back to Germany again. But there are also things she doesn't understand, like why there might be a war in Europe--just that men named Hitler, Mussolini, and Chamberlain are involved. Little Kully is far more interested in where their next meal will come from and the ladies who seem to buzz around her father. Meanwhile she and her parents roam through Europe from country to country as their visas expire, money runs out, and hotel bills mount"

OVERVIEW/ANALYSIS: "Child of all Nations" by Irmgard Keun, translated by Michael Hoffman, is a novel I found about at Goodreads after reviewing some recent translations; a check of the sample and the first few paragraphs were just irresistible for me and I bought and read the book in an evening.

"I get funny looks from hotel managers, but that’s not because I’m naughty; it’s the fault of my father. Everyone says: that man ought never to have got married.

At first they treat me as if I was a rich lady’s Pekinese. The chambermaids make kissy mouths at me and little mwah mwah noises. The maĆ®tre d’ slips me postage stamps, which I save, because I might be able to sell them later. The man in the lift lets me press the button to our floor, and he doesn’t interfere, much. And the waiters brandish table-napkins at me in a friendly sort of way. But all that comes to an end when my father has to leave to raise money, and my mother and me are left behind, and the bill still hasn’t been paid. We are left behind as surety, and my father says we’ve got as much riding on us as if we’d been fur coats or diamonds.

Then the waiters in the hotel restaurant no longer brandish their napkins in that jolly way; instead they flick them at our table. Mama says they do it to clear the crumbs away, but it looks to me more like what you do to keep away pesky cats that have their eyes on the roast."
 
And so it goes, and Kully's narration of her European and later even American wanderings interspersed with quotes and letters from her father continue at a fast clip in the same funny, somewhat ironic style which shows the insecurities of the child that has no home and the despair of the exile grown-up artist and writers who paradoxically have only reputation to sustain them so they need to live expensively to maintain their credit, while scrambling to pay their latest bills and staying just ahead of the creditors on scarcer and shorter temporary visas.

No wonder that for most suicide became the only rational option - a little research about the book and the people hinted at during Kully's narration shows that clearly - and death is always accompanying Kully who for the most part makes a game about it. But not always as the following paragraph shows:

"Grown-ups were trying to tell me how it’s possible to go to heaven. I hate it when people have such a low opinion of children that they think they’ll believe anything they’re told. What person in their right mind would stay in the world with worries and strife if he could be in heaven instead, and it not even cost any money?

Nor do I believe that bad people go to hell. Bad people are much too canny to do bad things if they knew they would go to hell as a result."


Like EM Remarque's better known novels of exile, this novel had a visceral appeal to me and that trumped the occasional niggles - the narrative stalls here and there and Kully's voice seems a bit too "wise" on occasion.

Noting that the book was written in 1938, there clearly could not be any definite ending to it, but still as we turn the last pages we are left with the hope that somehow Kully and her family will find their safe "port", though we rationally know that their travails are only beginning as Hell is just getting unleashed in its full dimension across most Europe.

Highly, highly recommended.

 

Monday, May 14, 2012

Masterpiece of SF: "Brain Child" by George Turner (Reviewed by Liviu Suciu)


"David Chance, the unknowing offspring of a long-forgotten experiment that produced genetically engineered child geniuses, learns terrible secrets about his own conception and discovers the horrifying course that human history is taking."

OVERVIEW/ANALYSIS: I find it hard to say how many times I have read Brain Child - I would guess that the recent April 2012 reread was my 7th or 8th, but possibly more, though it was the first after the 4 year intensive sff reading/reviewing here at FBC, so I was curious how the novel will stand versus more modern sff - and the book still stands tall so to speak deserving its place on my all time favorite list - place that also covers the rest of the retro-near-future Australia sequence of George Turner comprising The Destiny Makers, Drowning Towers, Genetic Soldier and the posthumous Down There in Darkness.
   
Brain Child takes place in a sort of retro-future Australia of the 2040's with climate change, overpopulation and no Internet, but the power of the narrative, the extraordinarily compelling style of the author, the superbly drawn characters and the twists and turns of the story spiced with a few nuggets of eternal wisdom (power corrupts, who do you trust to watch the watchers etc) make this a top-top sfnal novel.

The story seems straightforward - in 2002 the government created super-babies of which 3 (quadruplet and related in-between like sort of cousins) groups of two girls, two boys A, B, C survived; group A turned to be good at science and group B at art but outside a few social dysfunctions they were within normal human parameters and were released at 18, while now in the 2040's they are reclusive and working for the government in group A case and just reclusive in group B case.

David Chance, young upcoming journalist raised into an upscale orphanage - under the population laws extra children born without permits become charge of the state and are raised in orphanages and of course the rich people's "indiscretions" get better orphanages - gets summoned by Arthur Hazard (of group A, not to speak of the pun of the surnames plus the letter D in David) who declares that he is his father though not by intention as he was experimenting with sex when 18, a girl wanted to keep hold of him etc... 

So David did not get aborted as the girl concealed her pregnancy and he is the only known child of the groups, while now he has to undertake the mission he was raised for and subtly influenced from young age when his existence became known to Arthur and the government (so his education was subtly directed to turn him towards journalism etc). After a bit of recriminations and feeling upset, David is hooked on the mission and the adventure starts.

The mission? Well, remember group C; they were true posthumans, super-powerful, unknowable and the humans in charge got scared and kept them isolated, but at age 18 one of them, Conrad escaped to unknown hereabouts; returning a few months later he conferred with his group - nobody knows what about since once Conrad returned his group, which until them accepted the humans surveillance and later harsh interrogation up to torture, now isolated itself and accepted only one nurse as point of contact - and then they committed suicide - they just stopped living. However, Conrad tantalizingly mentioned a "legacy" to the nurse and only a few like Armstrong, the scummy politician that originated the project and who kept that nurse on his private payroll and the Hazards knew about that...

Said legacy may have to do with human immortality or at least control of DNA and genetics, while David is also nudged to find out what happened to Conrad in his months away and why group C committed suicide on return. Just awesome and with so many twists and turns and a "jaw breaking" denouement that is still powerful on the 8th reading or so.

All George Turner's books mentioned above in this sequence are superb, still relevant and highly readable though Brain Child is still the one that stayed with me the most.
 

Saturday, May 12, 2012

"Lehrter Station (John Russell #5)" by David Downing (Reviewed by Liviu Suciu)



INTRODUCTION: Together with Alan Furst's historical novels about the immediate pre-WW 2 period, David Downing's John Russell novels which start on New Year's day 1939 in Zoo Station and so far cover the period up to New Year's Day 1946 at the end of Lehrter Station are big favorites that combine superb historical fiction - atmosphere, characters - with a dash of intrigue and action. Here is the blurb and more about it below.

"Paris, November 1945. John Russell is walking home along the banks of the Seine on a cold and misty evening when Soviet agent Yevgeny Shchepkin falls into step alongside him. Shchepkin tells Russell that the American intelligence will soon be asking him to undertake some low grade espionage on their behalf—assessing the strains between different sections of the German Communist Party—and that Shchepkin’s own bosses in Moscow want him to accept the task and pass his findings on to them. He adds that refusal will put Russell’s livelihood and life at risk, but that once he has accepted it, he’ll find himself even further entangled in the Soviet net. It’s a lose-lose situation.

Shchepkin admits that his own survival now depends on his ability to utilize Russell. The only way out for the two of them is to make a deal with the Americans. If they can come up with something the Americans want or need badly enough, then perhaps Russell will be forgiven for handing German atomic secrets over to Moscow and Shchepkin might be offered the sort of sanctuary that also safeguards the lives of his wife and daughter in Moscow. Every decision Russell makes now is a dangerous one.
"

OVERVIEW/ANALYSIS: Lehrter Station is the fifth John Russell novel and it was still captivating and making me want the next installment asap - and there will be a next and probably as many as the market will bear since there is so much stuff that's going on and as the hero puts it:

"Rather to his surprise, he felt more sanguine about his new espionage career than he had when the Soviets first came to call. Wondering why, he realized what had changed. While the Nazis had flourished, he’d had no ethical room for manoeuvre. Helping them, or hindering their enemies, were not things he could live with. Or not with any sense of self-worth. But that black-and-white world had vanished with Hitler, and the new one really was in shifting shades of grey. He could make arguments for and against any of the major players; in helping one or the other he had no sense of supporting good against evil, or evil against good. If, in personal terms, Yevgeny Shchepkin was almost a kindred spirit, and Scott Dallin someone from a distant unfriendly planet, he had no illusions about Stalin’s Russia. And though American help was his only way out of the Soviet embrace, that didn’t mean he wanted a world run by money and big business"

Coming back to the book, first let's note that the blurb is wrong since it's London November 1945, John and his extended family (Effi - his longtime German actress girlfriend who missed escaping with him from Nazi Germany in late 1941 and spent the rest of the war in Berlin acting the part of an old woman and working for the underground that tried saving Jews and regime opponents, Rosa - their 7 year old Jewish "adopted" daughter assuming of course that her father is not to be found in the ruins of Germany, Paul - his 19 year old son and scarred veteran of the Reich's army, Zarah - Effi's sister married with a former mid/high ranking Nazi bureaucrat presumed dead or arrested, Lothar - her 11 year old son) are living in modest circumstances there, though Zarah and Paul are adapting better, while John is sort of blacklisted by the British press and Effi wants to act again (noting that while she did not act in a movie since 1941, she acted for her life in Berlin 1941-1945).

The first Soviet team (ironically the NKVD team, Dynamo) to visit the UK (and mostly trashing the British footballers on home ground) brings Yevgeny Shchepkin and his sinister boss Nemedin to London with an offer John Russell cannot refuse as trading atomic secrets to the Russians for his family above while understandable at a personal level can still lead to the gallows or the electric chair depending which of the two countries he is citizen of gets to try him; though of course Yevgeny wants out too so they form an alliance and John starts playing the double agent role though it is not yet clear for whom yet as the quote above notes...

The offer included John getting back into journalism and Effi back in movies, both of course back in occupied Berlin and the story moves there and continues to a very good ending point a few months later for what is the first of hopefully many postwar novels.

Here is another memorable quote:

"The war had only been over six months, but the British and the French were already irrelevant – there were only two real powers in the city, or in the wider continent. And as luck would have it, he was working for both."


The journalism part starts involving the Jewish underground routes to Palestine and trips to Austria, Poland and Czechoslovakia and the kicking of the local Germans back to the Reich, but as usual the book is about atmosphere and the author is just a master at that recreating Berlin late 1945 and its myriad inhabitants, transients and occupants superbly; there are a few loose threads from older novels that are finally tied here (the fate of Miriam Rosenthal and of Rosa's father occupy John and Effy for most of the book), dangerous gangsters, ambiguous allied officers and of course the "jobs" John has to do for his American and Soviet masters...

While the usual danger moments and suspense occur here and there, the novel is mostly historical fiction that lives and breathes through its characters, mainly John and Effi who split the pages between them.

As mentioned the novel ends at a good stopping point and I am really looking forward to the next installment as new storylines are introduced, new loose ends develop and new secondary characters of interest appear in addition to many secondary characters from the previous 4 novels.

Excellent stuff and highly recommended.

And to end, another great quote that now looks to the future and has John  and Albert Wiesner (whom John helped escape Nazi Germany through his Soviet connections after his eminent Jewish physician father has been murdered by the Nazis in 1939 and Albert assaulted some Gestapo officials and became a fugitive, while later John helped his mother and sister emigrate to London using this time his UK intelligence connections -  note that here it is still late 1945, so the state of Israel is still in the future) discussing the future of the surviving European Jews:

"‘Says who? I didn’t think you were religious.’
Albert grinned. ‘I’m not.’
‘I don’t think you can use the Bible as a title deed,’ Russell insisted.
‘Some people do. Like the Europeans who conquered the Americas – being in touch with the right God made everything okay.’
‘You don’t believe that.’
‘I think that’s what will happen.’
Russell thought about that. ‘Maybe it will,’ he conceded. ‘A friend of mine suggested emptying Cyprus – the Greeks to Greece, the Turks to Turkey – and then giving it to the Jews. Lovely beaches, good soil, not that far from Jerusalem.’
Albert propped his head up on one arm and gave Russell a look. ‘We already have our homeland.’
‘Yes, I expect you do.’
‘And I’ll tell you something else,’ Albert said. ‘I understand why the Poles are expelling the Germans from their new territories. And I understand why they’re making it impossible for the Jews to return. If my friends and I have our way, the Arabs will all be expelled from Palestine. Anything else is just storing up trouble for the future.’
‘That will put a bit of a strain on the world’s sympathy, don’t you think?’
`Once we have the land, we can do without the sympathy.’"